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POZOSTALOSŤ MILANA RASTISLAVA ŠTEFÁNIKA V KONTEXTE INŠTITUCIONÁLNYCH A RODINNÝCH ZÁUJMOV V MEDZIVOJNOVOM A VOJNOVOM OBDOBÍ

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Macho P.

Muzeológia a kultúrne dedičstvo

2017

tom 5

nr 1

57 – 68

After the tragic death of Milan Rastislav Štefánik, one of the founders of Czechoslovakia, the Czechoslovak government bought his estate and uses it for museum exhibition purposes. The collection of Štefánik‘s effects and writing was much sought after by Slovak as well as Czech museums and memory institutions, but it finally found its home in the museum of Czechoslovak Legions in Prague established at the Ministry of Defence (Památník odboje). In 1939-1940, the collection was transferred to Slovakia to the Slovak National Museum in Martin. Today, many of these artefacts are now located in Štefánik‘s birth house in the village of Košariská which is a branch of the Slovak National Museum. This papers examines the tumultuous history of negotiations between the Czechoslovak government and the Štefánik family which resulted in the purchase of Štefánik‘s estate in 1923.

DIPLOMAT A STRATÉG MILAN RASTISLAV ŠTEFÁNIK

100%

Musil M.

Studia Politica Slovaca: časopis pre politické vedy, najnovšie politické dejiny a medzinárodné vzťahy

2010

tom 3

nr 2

132 – 139

The article is focused on the diplomatic activities of M. R. Štefánik in the period of the World War I.

“HE FLEW ON WINGS OF SLAVONIC FEELING TO SERBIA TO HELP THE SERBS IN 1915”. THE SYMBOLIC INSTRUMENTALIZATION OF M.R. ŠTEFÁNIK AND SLAVONIC COMMUNITY AGAINST THE BACKGROUND OF THE INTER-STATE RELATIONS OF THE TIME

100%

Macho P.

Historický časopis (Historical Journal)

2016

tom 64

nr 5

809 – 843

The study analyses the symbolic instrumentalization of the national hero M.R. Štefánik in the context of the modified form of Slavonic community in the 20th century. In the inter-war period, the symbol of Štefánik was used to strengthen the Czechoslovak – Yugoslav alliance on the basis of Slavonic brotherhood. The political representatives of independent Slovakia and Croatia during the Second World War refused to build their inter-state relations on the basis of Slavonic community. From the point of view of Zagreb, Štefánik appeared pro-Serb and pro-Yugoslav, so he was an undesirable symbol for the Croats. Emphasis on the strong Slavonic and Serbophil identity of Štefánik became an instrument for Slovak opposition oriented circles to articulate their resistance to the Ľudák regime and the Slovak state.

POSTAVA MILANA RASTISLAVA ŠTEFÁNIKA V TELEVÍZNEJ A ROZHLASOVEJ TVORBE

88%

Inštitorisová D.

Slovenské divadlo (Slovak Theatre)

2017

tom 65

nr 4

416 – 427

This study deals with television and radio artistic, documentary, and investigative programmes whose thematic focus is the historical figure of Milan Rastislav Štefánik. The analysis examines television and radio recordings from the archives of RTVS, the Slovak Film Institute in Bratislava, and two documentary films produced by the company Kanimex. It focuses on the form of their artistic treatment as well as representation of the personality of Štefánik. In its conclusion, the study summarizes findings about the manner of interpretation of his personality in a model of an audio-visual and audial historical figure.