Wyniki wyszukiwania - Biblioteka Nauki

1

Wizerunek XVII-wiecznej kopalni w Kościele Pokoju w Świdnicy

100%

Battek M. J.

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2015

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tom Vol. 2

145--149

PL

W Kościele Pokoju w Świdnicy, wśród obrazów i tekstów typowo religijnych, znajduje się obraz kopalni z górnikami przy pracy. Podjęto próbę zinterpretowania tego znaleziska zarówno pod względem historii techniki górniczej, jak i tekstów biblijnych, z którymi może być związany.

EN

In the Church of Peace in Świdnica, amongst many religious pictures and texts, there is an image of a mine and its miners at work. An attempt to interpret this finding has been made both in terms of the history of mining technology, as well as, possibly related, biblical texts. A realistic cross-section of a mine is shown in the picture. Two miners are working in the underground section of the mine with two others operating a windlass on the surface; one other miner is washing the excavated ore in the water from a spring. Evidently the picture has biblical roots – it is an illustration for the excerpt from the Book of Job, 28, 1–11. Chapter 28 bears the title of A Poem to Wisdom where, following the description of a mine and ore findings a question is posed: But where shall wisdom be found? The end of the chapter reveals the answer: Behold, the fear of the Lord, that is wisdom, and to turn away from evil is understanding.

2

Lokalny program rewitalizacji narzędziem rozwoju Świdnicy

94%

Hajduga P. , Mempel-Śnieżyk A.

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2017

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nr 490

55-69

PL

Realizacji projektów rewitalizacyjnych służy lokalny program rewitalizacji (LPR). Dokument ten jest opracowywany, przyjmowany i koordynowany przez gminę. LPR to wieloletni program działań w sferze przestrzeni, urządzeń technicznych, społeczeństwa i gospodarki, zmierzający do wyprowadzenia danego obszaru z sytuacji kryzysowej oraz stworzenia warunków do dalszego rozwoju tego terenu. LPR należy do narzędzi strategicznych umożliwiających gminom oraz innym podmiotom chcącym się zaangażować w proces rewitalizacji aplikowanie o środki zewnętrzne m.in. z Unii Europejskiej. Artykuł stanowi prezentację i próbę oceny programów rewitalizacji przestrzeni Świdnicy. Punktem wyjścia w opracowaniu stały się rozważania autora na temat istoty rewitalizacji jako instrumentu polityki rozwoju lokalnego. Na tym tle omówiono specyfikę miasta oraz przedstawiono stan programów i procesu rewitalizacji śródmieścia Świdnicy.

3

Urządzony we włoskim guście. Rynek w Świdnicy i jego barokowe dziedzictwo

84%

Ludwig B.

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tom Nr 75

55--70

PL

Rynek świdnicki stanowi przykład kompleksowego rozwiązania, w którego skład wchodzą elementy architektury i urbanistyki, powstałe etapami i spontanicznie, lecz tworzące spójną, doskonale zakomponowaną całość. To wyjątkowe wnętrze urbanistyczne zachowało w dużej mierze wygląd z dwóch etapów przebudowy w okresie dojrzałego i późnego baroku. Nadały one średniowiecznej strukturze miejskiej nową szatę o wyróżniających się specyficznych formach. Artykuł stara się scharakteryzować specyficzne formy i rozwiązania urbanistyczne tego cennego wnętrza urbanistycznego.

EN

The Market Square in Świdnica is an example of a complex solution consisting of architectural and urban planning elements, created in stages and spontaneously, but forming a coherent, perfectly composed whole. This unique urban interior has retained much of its appearance from two stages of reconstruction in the middle and late Baroque periods. They gave a new look of distinctive specific forms to the medieval urban structure. The paper characterizes the specific forms and urban solutions of this valuable urban interior.

4

Wykazy członków bractwa różańcowego przy klasztorze dominikanów w Świdnicy z XVI wieku

67%

Kaczmarek K.

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tom 89

121-178

EN

The paper deals with lists of members of the Confraternity of the Rosary, functioning under the patronage of the Dominican monastery in Świdnica, from about 1530-1535. The analysis of their contents is supplemented with the edition of that source in the appendix. The lists provide important data for further research on the pastoral activities of the monastery in Świdnica and on antroponymy of inhabitants from the surroundings of Świdnica in late Middle Ages.

PL

Artykuł dotyczy pochodzących z ok. 1530-1535 r. wykazów członków bractwa różańcowego, działającego pod patronatem klasztoru dominikanów w Świdnicy. Analiza zawartości tych rejestrów została uzupełniona edycją źródła zawartą w Aneksie. Wykazy te przynoszą istotne dane do badań nad działalnością duszpasterską świdnickiego konwentu oraz studiów nad antroponimią ludności zamieszkującej okolice Świdnicy w późnym średniowieczu.

5

Budowa drogi powiatowej nr 3396D jako regionalny czynnik rozwojowy

67%

Malinowski Ł.

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tom nr 7-8

245--251

PL

W artykule omówiony został proces budowy drogi powiatowej nr 3396D na odcinku pomiędzy drogą krajową nr 5 a drogą wojewódzką nr 382 i ul. Stęczyńskiego w Świdnicy. Przedstawiono stopień realizacji, jej znaczenie dla rozwoju gospodarki i funkcjonalności miasta. W podsumowaniu pokazano również pozytywne efekty w postaci poprawy ochrony środowiska naturalnego.

EN

The article discusses the construction process of county road no. 3396D between national road No. 5, provincial road No. 382 and Stęczyńskiego Street in Świdnica. The paper describes the level of advancement in the work, the significance of this road for the development of economy and functionality of the city. The summary depicts also the positive effects such as the enhancement of the natural environment.

6

Nagrobek Anny Heleny von Rohr w kościele parafialnym w Przerzeczynie-Zdroju. Nieznane dzieło Georga Leonharda Webera

67%

Migasiewicz P.

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2023

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tom 85

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nr 2

67-86

EN

The article focuses on the tomb of Anna Helena von Rohr, primo voto von Nimptsch (1649–1712), daughter of an esteemed Baroque poet Friedrich von Logau. The tomb is located in the Catholic (formerly Lutheran) parish church in Przerzeczyn-Zdrój (until 1945 Bad Dirsdorf) near Niemcza in Lower Silesia. This high quality work, dating from ca. 1712–1715 and made of Przeworno marble and alabaster, has until now been virtually unknown to art historians and overlooked in scholarly studies. On the basis of a comparative analysis and other data, the design and execution of the monument was ascribed to Georg Leonhard Weber (1672–1739), a sculptor active in Świdnica, originating most probably from Franconia.

PL

Artykuł jest poświęcony nagrobkowi Anny Heleny von Rohr, primo voto von Nimptsch (1649–1712), córki cenionego barokowego poety Friedricha von Logau, znajdującemu się w katolickim (dawniej luterańskim) kościele parafialnym w Przerzeczynie-Zdroju (do 1945 Bad Dirsdorf) koło Niemczy na Dolnym Śląsku. To wysokiej klasy dzieło, wykonane ok. 1712–1715 r. z marmuru przeworneńskiego i alabastru, było do tej pory niemal nieznane historykom sztuki i pomijane w opracowaniach naukowych. Na podstawie analizy porównawczej oraz innych przesłanek projekt i wykonanie monumentu zostały przypisane Georgowi Leonhardowi Weberowi (1672–1739), rzeźbiarzowi aktywnemu w Świdnicy, pochodzącemu prawdopodobnie z Frankonii.

7

Dekoracyjne oświetlenie centrum starego miasta : Masterplan

67%

Wiórek A.

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tom nr 10 (26)

14--15

8

Kościoły Pokoju w Jaworze i Świdnicy (2001)

59%

SCHAAF U.

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2017

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nr Dodatek Specjalny. Dziedzictwo w Polsce.

119-124

EN

The Churches of Peace built in the Silesian towns of Jawor (1654-1655) and Świdnica (1656-1657) in south-western Poland are the largest timber-framed Baroque religious buildings in Europe. They were both constructed following the Peace of Westphalia of 1648 which ended the Thirty Years’ War. In compliance with the conditions of that settlement, the temples were to be erected on a precisely specified area outside the city walls. Later, the building materials were limited to non-durable materials – wood and loam. The centuries-old tradition of timber framing found its reflection in the unparalleled scale, complexity, and durability of the Churches of Peace. Their sumptuous interior decoration, developed in the following decades, is a unique illustration of the coexistence of Baroque art and Lutheran theology, as well as a reflection of the social hierarchy of that time. Criteria: (iii), (iv), (vi) The question of the authenticity of the timberframe structure of the Churches of Peace in Jawor and Świdnica in the context of contemporary thinking about the definition of heritage authenticity The article is based on the author’s experience gained during his participation in conservation works at the Churches of Peace in Jawor and Świdnica since the early 1990s. Its fundamental objective is to draw attention to selected aspects of a range of issues connected with the recognition of broadly understood values of monuments, with special regard to the value of the authenticity of their construction. For a long time, the notion of authenticity in relation to conservation activities had mostly been associated with protecting the tangible substance of a monument. This was due to the belief that only the original substance could be the attribute of its value. In the course of time, the interpretation of authenticity was broadened considerably. Nowadays, the question of authenticity is settled not only on the basis of its material genuineness but also, for instance, in accordance with the ”Operational Guidelines for the Implementation of the World Heritage Convention”, its ‘form and design; materials and substance; use and function; traditions, techniques, and management systems; location and setting; language, and other forms of intangible heritage; spirit and feeling, and other internal and external factors’ too. Besides, numerous examples show that the values of a monument often ensue from the social, political, or cultural context in which they are discussed; therefore, they can be changeable. The history of the appreciation of the Churches of Peace in Jawor and Świdnica also provides such an example. Throughout the 20th century, the assessment of their historical value was changing depending on the current cultural context in spite of the fact that their authentic tangible substance remained virtually unchanged. For some – mostly Protestant – scholars, they were a symbol of their coreligionists’ struggle for religious freedom in the Silesian principalities ruled by Catholic Hapsburgs at the time when the churches were constructed (mid-17th century). For other – mostly Catholic – researchers, they were a symbol of tolerance towards his Protestant subjects on the part of the Catholic Habsburg Emperor. The latter interpretation of their historical value was also adopted as criterion III in the justification of the nomination of the Churches of Peace for inscription onthe UNESCO World Heritage List in 2001. Coming back to the issue of authenticity, it should be noted that the extensive research conducted in the Churches of Peace prior to the drawing up of the nomination for inscription on the List demonstrated the enormous significance of the preservation of their original material substance. In the case of both the churches, an analysis of the existing timber- frame structure afforded possibilities for a detailed reconstruction of the history of their erection, determination of the technical solutions applied in the different periods of the building process, and a theoretical reconstruction of their original architectural form and structure. It was precisely the results of the research that allowed the scholars to highlight some hitherto unknown values that were then defined in the above-mentioned nomination: ‘The Churches of Peace are outstanding, pioneering, and unique structures, the construction, spatial arrangement, and technology of which were later imitated only in a simplified and reduced form’, thus providing strong arguments for inscribing both the properties on the UNESCO World Heritage List on the basis of criterion IV. Both the above mentioned examples of the significance of historical interpretation and understanding of the construction of the Churches of Peace provide a confirmation of the historical changeability of value judgments. However, it seems that this observation does not reduce the importance of the need to preserve the genuine substance, for it was precisely the analysis of the authentic structure of these monuments that allowed their unique significance and values related to the construction solutions adopted to be highlighted. In this particular context, the primary aim of conservation works related to the timber-framing construction of both the churches was to protect and preserve the existing layers of their historic substance that testified to the richness of their architectural history, as well as to the periods of rise or stagnation of the parish and its church. Attempts were made to reach the goal thus defined not only by means of the proper conservation procedure, from extensive research and guidelines, through the conceptual design study, building project, and detailed design, up to the model works and their final implementation. This was also carried out through clearly defined priorities such as preserving the historical layers while repairing local damage; improving the integrity by supplementing any missing structural elements in the individual parts/structures of the properties; replication building materials and techniques that corresponded, to the maximum possible extent, to the original solutions; and renovating the finishing coats subject to natural and constant wear and tear. The social, political, or cultural transformations and the progress of science will for sure also lead to the formulation, in the future, of new research questions regarding the Churches of Peace; and historians, art historians and scholars from other fields will be searching for the answers both in the tangible, and intangible, sphere of their heritage. The results of their research will, perhaps, highlight and attribute to the properties some new and hitherto unrecognised values. However, it seems that the analysis, evaluation, and protection of the tangible substance of the monuments in his charge will remain the fundamental task of architectural monuments protection officer.