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2 Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2 2016

2 DOMALEWSKI A.

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Filmowe rejestracje teatru - opis i problematyzacje zjawiska

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DOMALEWSKI A.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2016

tom 18

nr 27

332-338

Film Recordings of Theater – Description and Problematisations The paper attempts to distinguish film recordings of theater from the TV theater genre. The decisive criterion for this distinction proposed by the author is the chronology of the production process - film recordings of theater performances provide a record of pre-existing theater performances, whereas TV theatre includes all theatre-like productions created for the small screen and which do not have their own stage ‘odginali In each of these cases there are different tasks and difficulties facing producers and executors. The next part of the article focuses on film recordings of theater: the reasons for which they are made (documentation, dissemination, promotion) and the differences between their types. Referring to the work of Jacek Wachowski, the author also presents a brief discussion about the possibilities and consequences of technical mediation of any performances, not only theatrical shows. The article concludes with an attempt to define the status of the film recording of a performance in relation to its original theatrical nature (the “residuum of the theater”).

Aktorzy filmowi, aktorzy teatralni? Polski rynek aktorski ostatnich lat

100%

DOMALEWSKI A.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2016

tom 19

nr 28

121-134

Film actors, theatre actors? The Polish actors’ market in recent years The author of the paper analyzes the career paths of Polish film and theater actors in recent years, taking account of social and institutional changes in Polish theater and cinema after 1989. On this basis, current three strategies present in the acting profession are identified: Courtier, Byplay and Celebrity. These three groups are highlighted depending on actors’ artistic achievements and accu- mulated symbolic capital. The main thesis of the article is that leading film actors, who are most successful on the big screen, forsake engagement in theater. While describing this regularity, the author provides specific examples of actresses and actors - eg. Magdalena Cielecka, Andrzej Chyra, Jacek Poniedziałek and Agnieszka Grochowska. The article concludes with considerations about the various reasons why Polands market for film actors and the theater market have split in recent years.