The proposal of this paper, situated at the meeting point of linguistics and poetics, is to discuss the applicabilty of same selected prototypical thesis to the research on litterary genres. It examines the following questions: status and internal structure of generic categorisations (hierarchical levels, gra-duality), J.-M. Adam's sequential theory, origin of prototypicality judgements in literature, archetype-prototype relation, difficulties in prototypical analysis of generic hybridity.
This article – focused on three plays that make up Marco Micone’s dramatic trilogy (Gens du silence, Addolorata, Déjà l’agonie) – consists of two parts. First, it outlines the historical-political environment of Quebec in the context of immigration and identity issues. Then, the article analyzes some compositional and linguistic aspects – micro- and macrostructural – linked to the migrant identity of the protagonists (monology, adialogism, plurilingualism, metalinguism).
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