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EN
The poem Lubinský z Lubiné a Rozína Milovská (Lubinský from Lubiná and Rozina Milovská) proves the syncretic nature of Bohuslav Tablic´s poetry. In the literary-historical overviews to date the accent has been placed on its didactic, even moralistic character, which is suggested by the subtitle as well as the basic plotline: the just punishment of a wrong deed, a violation of the moral law. The detailed analysis of the text questions the straight forward genre identification of it as a marketplace song having moralistic tendencies. The didactic principle is minimized - it is only used on the thematic level. Tablic carefully chose to use such means that help divert attention from the „warning story“ itself to the inner tragedy of the main character of Rozína – he tactically employed e.g. the motif of fear and mysteriousness, strong emotionality and suspense in the narration. Noticing the features moves the genre identification of this poem of Tablic´s closer to the ballad.
EN
Reflecting on the Great-Moravian and Cyril-Methodius traditions in Slovak literature is proved by a number of various comments related to the particular period of time occurring in the works of the earlier provenance. The detailed registration of them is important, however, literary and historical research should also be carried out into writers´ strategies of using such information – the case of Bohuslav Tablic shows that incorporating the information in his reflections on literary history was influenced by certain factors which need to be closely examined.
EN
Korešpondencia Jána Hollého /The Correspodence of Ján Hollý/, edited by Jozef Ambruš, who published it along with valuable and detailed notes in 1967, is the principal source to have when studying the personality of one of the most significant Slovak poets as well as refining the complex image of Slovak cultural and literary life in the first half of the 19th century. Besides other things, there can be found an important evidence of inter-confessional contacts and cooperation between literary active notables from both Catholic and Protestant environments. This proves that the still existing myth of the mutual „enmity“ between the two „camps“ based on confessional criteria needs to be dispelled.
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