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EN
The article presents an anthropological defense's practical dimension on cultural activities observed during the Russian-Ukrainian war. The paper's primary hypothesis is to deliver anthropological defense strategic objectives from a country's perspective at war. The adopted view refers to hybrid warfare and hybrid threats. The goals are as follows: 1) documentation objective, 2) therapeutic objective, 3) ideological objective, 4) diplomatic objective. A structured, consistent defense line allows creating a shared narrative by dividing society as the Ukrainian one. All actions in terms of anthropological defense refer to the values shared by the majority of citizens. Nevertheless, anthropological defense tools' choice and use must be strategically conditioned, i.e., other benefits for cinematography, theater, and fine arts. For an action to be practical cooperation between self-governing assemblages (such as volunteers, artists, art curators) and state actors must be established. The cooperation ctivities undertaken are complementary and complementary and can, therefore, be remarkably efficient.
PL
Ukraina jest w piątym roku wojny. We wrześniu 2015 roku Parlament ukraiński uznał część obwodów donieckiego i ługańskiego za czasowo zajęte regiony. Ukraińscy analitycy przewidują kilka scenariuszy dotyczących przyszłości swojego kraju. Najbardziej optymistyczne scenariusze to odzyskanie tych regionów przez Ukrainę, ich likwidacja i odbudowa po konflikcie. Działania kulturalne mogą być pomocne w tym procesie. Niektórzy ukraińscy artyści rozpoczęli już realizację projektów skierowanych zarówno do mieszkańców okupowanych regionów, jak i reszty ukraińskiej ludności. Ich celem jest zmniejszenie podziału między tymi dwiema grupami, ukazanie każdego z nich w świetle „życiowego życia” (w kategorii Judith Bulter), a także stworzenie nowego i bardziej skutecznego dyskursu na temat wojny, zwycięstwa i stanowiska – konflikt procesu.
EN
Ukraine is in its fifth year of war. In September 2015 the Ukrainian parliament recognized a part of the Donetsk and Luhansk Oblasts as temporarily occupied regions. Ukrainian analysts predict several scenarios regarding the future of their country. The most optimistic scenarios is the recovery of these regions by Ukraine, their deoccupation and post-conflict reconstruction. Cultural activities may be helpful in this process. Some Ukrainian artists have already launched projects addressed to both the inhabitants of the occupied regions and the rest of the Ukrainian population. Their aim is to reduce the division between these two groups, showing each of them in the light of the Grievable Life (in Judith Bulters category) as well as to form new and more effective discourse about war, victory and the post-conflict process.
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EN
A study of semiotics, urban spaces, and anthropological defence in Ukraine is presented in this paper. An anthropological defence is safeguarding cultural identity and human values by studying signs and symbols. A city's urban space is a crucial arena in which cultural symbols, ideologies, and collective identities are manifested. Specifically, the study seeks to investigate how these elements contribute to the defence and preservation of the anthropological essence of a community within the Ukrainian context.
EN
Class Act is a project implemented in Ukraine and addressed to young people. The idea behind it is to organize playwriting workshops for teenagers affected by the war in the eastern part of the country. This project makes use of the therapeutic potential of the theater, facing such problems as political prejudices, social stereotypes, and children's traumatic war experiences. Participants in the workshop classes are enabled to understand the nature of the negative stimuli shaping their emotions. Moreover, they learn, e.g., the causes of social phenomena and their harmful effects, thus introducing a humanistic factor to their observations.
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