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nr 3(344)
107-121
EN
Jerzy Giedroyć (1906-2000) saw the program of national education as one of the primal factors enhancing the chances of implementation of the political program. The political conceptions presented in the journal „Kultura” (1947-2000) were the opposite of the program of the London based Polish government-in-exile. The Polish emigrants found it difficult to accept many of the elements contained in them, for instance recognition of Poland’s post-war eastern border. In the program of national education addressed to Poles in at home and abroad as well as to representatives of the East-European emigration, historical and cultural journalism was employed, including chronicles, reviews, analysis of literary and artistic works, literature translations, reviews of cultural events, memoirs and reports. By means of these forms the authors of the monthly sought to overcome a stereotype image of neighbors and national minorities, disclose painful historical truths and bring out parallels in the history of Eastern European nations. Regarding the German issue, national education meant an attempt to reverse the fatalistic view of Polish-German relations, especially in the 20th century.
EN
The term State appropriately reflects the dichotomous condition of contemporary journalism. The tension between the commercial and the functional side of the mass media leaves the journalist standing alone on the battlefiield facing a harsh dilemma to remain faithful to professional ethics or to give way to the pressure of ratings. In other words, striving to describe objectively, inform critically, and earnestly, leaves some space for your opponents or makes you dig out seemingly meaningful information and present it in the form of a factoid or a story that probably will not bring you closer to the truth but generates more buzz around the news and entertain the audience. It all comes down to a single choice – serious journalism versus tabloid journalism. In my opinion, it is a serious issue which has to be brought up in any discussion concerning the media. One can see it more clearly by looking closely at both notions. Serious journalism is responsible for its words, along with the awareness of the influence it has on the audience. Tabloid journalism, on the other hand, is marked by a nonchalant audience attitude. It is aware of its influence on the fans, but its impact is simplified compared to mass media doctrines, and comes down to the brutal slogan “riffraff would buy”. Though, not making a big fuss, it is worth saying that with journalism, having the meaning of a public service and letting down society, we are dealing with conflict of values and hitting rock bottom.
EN
Michał Kosman’s book is worth attention not just in the context of the ongoing discussions regarding deteriorating Polish-German relations. It deserves to be read for a number of reasons – in order to verify widespread opinions on the role of Germany in European politics in the final decade of the twentieth century. The most important of these reasons are: high competence of the young researcher (affiliated with universities in Bydgoszcz and Poznań), his balanced opinions and comments formulated on the basis of German-language publications and magazine articles, and thorough factographical presentation.
EN
Michał Kosman’s book is worthy of attention not just within the context of the ongoing discussions regarding deteriorating Polish-German relations. It deserves to be read for a number of reasons, in order to verify widespread opinions on the role of Germany in European politics in the final decade of the twentieth century. The most important of these reasons are: high competence of the young researcher (affiliated with universities in Bydgoszcz and Poznań), his balanced opinions and comments formulated on the basis of German-language publications and magazine articles, and thorough factographical presentation.
5
Content available Parisian "Kultura" and the Question of United Europe
100%
EN
Let us not concern ourselves with speculations whether Jerzy Giedroyć, when he founded the Literary Institute in 1947 and soon afterwards published the first issue of “Kultura”, already suspected that his two creations (especially the magazine) would play such an important role in shaping political ideas of Polish exiles and become his true magnum opus. The fact remains that in spite of its distance from the centers of Polish immigration, the government in exile, and the large Polish immigrant community, the new monthly, while still looking for new contributors and readers, and remaining in opposition to Mieczysław Grydzewski’s “Wiadomości” - which sought to cultivate pre-war traditions - quickly achieved the unquestionable status of a platform for free speech, a forum for the bold exchange of views (these o en being unpopular and going against the drift of Polish public opinion in the West), and a leading channel of communication with the homeland. Even though the subtitle (Sketches. Short Stories. Reports) hinted at the editorial staff ’s interest in literature, “Kultura” from day one tackled difficult geopolitical and political problems arising from the situation in post-war Europe. Its publications were characterized by topicality and realistic assessments, which can be clearly seen while studying consecutive annual sets, for example with regard to the process of European unification.
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tom 34
77-86
EN
When analyzing events which unfolded in the Ukraine during the final months of 2004 and the involvement of Polish politicians and public opinion in the struggle for the preservation of the democratic character of presidential elections, a question arises regarding the connection of their actions with the political projects of Jerzy Giedroyć, the founder and sole editor of an influential magazine and a centre of political thought, which was Culture, published in Maisons-Laffitte, near Paris, in the years 1947–2000. Historians and political scientists rightly emphasize the fact that the „Eastern doctrine”, also known as the ULB doctrine (from the abbreviation of „Ukraine, Lithuania, Belarus”), has been a constant element of Polish foreign policy since 1989. Generally speaking, Giedroyć was convinced that nationalist impulses would eventually destroy the Russian empire from within, and a sovereign Poland would gain three new neighbours in the East: Ukraine, Lithuania and Belarus. This process was expected to take place in the near future, as foreseen by Culture contributors who called on the émigrés from Eastern Europe to work together in laying solid foundations for the future partnership.
EN
The term “Fourth Estate” is becoming more and more common and acquires various connotations. It seems that processes of mediatisation of politics and tabloidisation of the media greatly contribute to phenomenon. Numerous examples of that sort are provided by the permanent election campaigns in Poland, mutual relationship between different types of media and political public relations, as well as the relationship between the media and the ruling coalition.
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nr 2 (57)
211-224
PL
Celem artykułu jest przedstawienie zbioru reportaży Aleksandra Janty-Połczyńskiego pt. Wracam z Polski w kontekście historycznym, medioznawczym i społecznym. Tom wydany w Paryżu w 1949 roku (wówczas opatrzony tylko pierwszym członem nazwiska) przyczynił się do rozdźwięków pomiędzy środowiskiem polskiego Londynu i paryską „Kulturą”. Szkice, obrazki i reportaże zostały zapisane w perspektywie informacji zobrazowanej, a ich wydźwięk był wyraźnie w kontrze do wyobrażeń emigrantów o życiu w powojennej Polsce. Jantę-Połczyńskiego zafrapowały bowiem wszechobecne nastroje entuzjazmu i odnowy, które przeczyły krytycznym wieściom rozpowszechnianym w prasie emigracyjnej. Na uwagę zasługuje forma reportaży potwierdzająca tezę o synkretycznym charakterze gatunku. W analizie przydatne okazały się współczesne kategorie opisu, np. świata przedstawionego.
EN
The main aim of this article is presentation of reporting book Wracam z Polski by Aleksander Janta-Połczyński in historic, mediumistic and social context. Volume issued in Paris in 1949 (sign Aleksander Janta) has become one of the causes of dissension among Polish enviroment in London and paris „Culture”. Essays, pictures and reportages have been written in book in prospect of information illustrated. Moreover, their connotation was visibly in opposition for imagination of emigrants about life in post-war Poland. Janta-Połczyński was fascinated omnipresent mood of enthusiasm and renovations contradicting a critical informations spread in emigration press. Noteworthy is form of reportages, confi rming the thesis of the syncretic nature of the genre. Modern categories of description are useful, for example the world presented.
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