Wyniki wyszukiwania - Biblioteka Nauki

Nowa wersja platformy, zawierająca wyłącznie zasoby pełnotekstowe, jest już dostępna.
Przejdź na https://bibliotekanauki.pl

Ograniczanie wyników

4 Gregori A.

Znaleziono wyników: 4

Liczba wyników na stronie

Wyniki wyszukiwania

Sortuj według:

Ogranicz wyniki do:

Ana Casas & David Roas (ed.), Zona de penumbra: antología del cuento fantástico en el fin de siglo y el modernismo. León: Eolas, 2021. 163 pp.

100%

Gregori A.

nr 2

93-100

Reseña de Matylda Figlerowicz: La memoria en construcción: la experiencia dictatorial franquista y comunista en las literaturas catalana, española y polaca

100%

Gregori A.

nr 2

157-159

Un terrorisme que no va poder ser: el cas d’El complot dels anells

100%

Gregori A.

nr 2

111-126

This article analyzes the construction of El complot dels anells (The plot of the rings), a Catalan political fiction artifact that was created as both a film and a novel in 1988. To this end, not only the fundamental sociopolitical and cultural contexts have been taken into account, but also the point of view M. O’Brian, an Irish American journalist who has to cover the 1992 Summer Olympic Games in Barcelona. He gets involved in a high-voltage political intrigue, a confabulation that leads a terrorist group to hijack the Olympic stadium and the Catalan president in an attempt to declare independence from Spain. Therefore, the main goal is to discuss the mechanisms that articulate figures of Otherness throughout the story. In conclusion, allusions to contemporary reality and the distance created by the Other voices do not, at first sight, meet the challenge of reflecting on armed struggle as a means of achieving political goals, causing the effect of escapism alone. Nevertheless, a closer approach through the figure of Otherness and a reflection on terrorism’s real sense in the film and the novel entail a vision of O’Brian’s character as both the real Double and the representational Sameness in El complot dels anells.

Lengua, literatura y fantasticidad en dos relatos de Pere Calders

100%

Gregori A.

tom 22

27 - 37

Pere Calders is one of the most recognised contemporary Catalan authors, especially on account of his uses of humorous and fantastic motives. In the present article two of his short stories are analysed as samples of involvement between fantasticity, on the one hand, and literality, metafiction and discourse construction on the other. It is showed how the narrative voice manipulates language semantically, syntactically and pragmatically in order to create ambiguity and, therefore, enlarge the limits of reality. If narrator’s parody strategy is seen as the representation of the unreal in front of everyday life, and reality as what certainly tortures and strongly worries people in the name of reason, we can conclude that in Calders’ short stories unreality is subtly invaded by the real, producing at the same time aparody of aparody in itself.