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"Without One Tree, a Forest Will Stay a Forest" by Dagmara Drzazga As a Religious and Historical Documentary

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Citko K.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2014

tom 15

nr 24

129-136

Katarzyna Citkos article is an analysis of Dagmara Drzazga’s film Bez jednego drzewa las lasem zostanie (Without One Tree, a Forest Will Stay a Forest, 2012), an example of a religious and historical documentary. The article describes the film’s depiction of the tragic fate of Jan Macha, a priest who during the Nazi occupation of Poland organized help for victims of German oppression as a co-founder of the Scout organization Konwalia (Lilly). For his work, he was arrested and executed in a prison in Katowice by means of a guillotine that was installed there in 1941. The article also analyses film-making techniques characteristic to documentaries, as well as the specific forms of expression which situate Drzazga’s work in the realm of religious cinema. These documentary techniques include combining photos and archival documentaries, interviews with people who knew Macha, and the opinions of experts, such as historians, clergymen and journalists. Other interesting techniques employed by the director make it possible to describe the film as belonging to religious cinema of the transcendental style, as described by Paul Schrader, which abandons unnecessary suspense in favour of poetic images; focuses on the dynamics and drama of the events rather than an in-depth psychological analysis of characters’ motivations; interweaves first- and third-person narration, which is carried out by means of both voice-over and by people speaking in the film; uses suggestive image editing combined with music which employs the theme of Agnus Dei. All of these features helped Drzazga’s interesting and thought-provoking film win a number of awards at international Catholic film festivals.

Karolina Wierel, Księga w nie-ludzkim świecie. Motyw Księgi w postapokaliptycznych przekazach literackich i filmowych przełomu XX i XXI wieku, Wydawnictwo Uniwersytetu w Białymstoku, Białystok 2019, ss.45

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Citko K.

Kultura i Edukacja

2019

nr 3(125)

271-278

„And What is a Beautiful Poem”? Reflections of a Poet on Vlad Petre Glăveanu’sThe Psychology of Creativity: A Critical Reading

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Citko K.

Creativity. Theories – Research - Applications

2015

tom 2

nr 1

97-101

I fully subscribe to Glăveanu’s opinions. I am not a psychologist, but as someone who specialises in culture and at the same time, as a poet, I believe that if the psychology of creativity is to say something truthful about the creative process, it should open up to the inner life of artists and to statistically unmeasurable processes such as talent and inspiration, rather than devise and carry out laboratory experiments. Therefore, encouraged by Glăveanu to pose innovative questions, in my article I ask about the essence of poetic inspiration, that is able to create images and lies at the root of metaphor which emerges in the mind of an artist.