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Urzędnicza kariera Bonifacego Witkowskiego (1800-1840) - przyczynek do dziejów biurokracji budowlanej w Królestwie Polskim

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Getka-Kenig M.

tom T. 68, nr 3

81--96

Biographies of architects have a well-established tradition in the Polish historiography of architecture. This also applies to the historiography of Polish architecture at the turn of the 19th c., which predominantly revolves around biographical studies. However, architectural biographies of this period often concentrate on the architects active in big cities, while their colleagues working in provincial areas receive comparatively less research attention. The lack of in-depth exploration of this subject has a detrimental impact on our comprehensive understanding of the Polish architectural culture of that period, particularly its social aspects. Another notable trait of Polish architectural biographies concerning the turn of the 19th c. is the focus on the architects’ creative output (e.g. projects, buildings). Researchers have hitherto paid relatively less attention to tracing the trajectory of individual careers and specific conditions that shaped their development. The inclusion of these aspects in academic discourse offers valuable insights into the social and political backdrop that influenced architectural activity. This holds particular significance in relation to the era of the constitutional Kingdom of Poland (1815-1830), which witnessed a rapid development of modern bureaucracy in the field of building and architecture. This article delves into the well-documented case of Bonifacy Witkowski. Notably, he was among the first graduates of architecture from the University of Warsaw, and within a few years of his graduation, he attained the position of a chief provincial builder in the Province of Mazovia.

Nagrobek Stanisława Staszica a polityka wizerunkowa Towarzystwa Warszawskiego Przyjaciół Nauk

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Getka-Kenig M.

nr 3

31–49

The article is devoted to the artistic setting of Stanisław Staszic’s (1755–1826) burial place, for which his main heir, the Warsaw Royal Society of the Friends of Sciences (TKWPN), was responsible. The inspiration to raise this topic was the discovery of two previously unknown Jakub Tatarkiewicz’s designs of Staszic’s unrealized neoclassical tombstone in the collections of the Central Archives of Historical Records in Warsaw (AGAD). However, the projects were never commissioned by TKWPN but were the sculptor’s proposal. By analysing the relationship between these artistic projects and the initiatives concerning Staszic’s tomb which stemmed directly from the Society (a big raw stone as memorial), the article highlights the problem of TKWPN’s participation in creating the posthumous cult of its long-time president and most important benefactor. The TKWPN’s seemingly paradoxical reluctance to glorify Staszic by means of traditional (artistic) forms of commemoration can be interpreted as a logical action calculated to benefit the Society’s image. Therefore, focusing on this single aspect of the posthumous cult of Staszic, directly related to the TKWPN, this article refers to the image-building policy of this institution, and thus to the ways of building its social status. At the same time, it tackles the issue of the prestige of science and scientific patronage as a new (from the early 19th-century perspective) form of public merit.