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Paratekst – od koncepcji Gérarda Genette’a po współczesną praktykę badań paratekstualnych

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Uździcka M.

tom 32

299-321

This article will examine the reception of the concept of paratext from its introduction into the research space by the French literary scholar Gérard Genette to the contemporary practice of paratextual research. Paratext has been annexed in such fields as library science, cultural studies, translation studies, media studies, and linguistics, among others, demonstrating the coherence of typologically diverse objects. At the same time, the concept has undergone a kind of redefinition over the years, wideningor narrowing the scope of its use. This regularity is a determinant of the review of the existing literature, with a particular focus on the reception of paratext in linguistic research. Considerations in this area concern the functional aspect of paratexts, whichwas undertaken by Romualda Piętkowa or Danuta Piekarczyk; the creative nature of the adaptation of G. Genete’s ideas by Iwona Loewe, whose research activities are located both in linguistics (linguistic genealogy) and communication theory (communicology) or media studies; the methodological proposal for the analysis of contemporary cultural texts as paratexts in a linguistic perspective.

Ładne mówienie o nieładnej rzeczy. Przyczynek do źródeł polskich wzorów kulturowych w ujęciu stylowym i socjalnym

100%

Uździcka M.

tom 24

299-317

This article is a contribution to the study of Polish cultural patterns’ sources and their performance in terms of stylistics and sociology. The methodological basis for the article is the idea in accordance to which each linguistic behavior is marked both stylistically and sociologically. Linguistic means abstracted from specific language behaviors are guidelines of stylistic and genre affinity of a text as well as social, pragmatic and genre competence of its creator.An illustration of this idea is the picture of the functioning of lexemes wojna (war) and wojneczka (diminutive of war). Their scope of meaning remains in conflict with respect to the connotation, association and lexicographical shots bundled with designatum of formative base, i.e. the lexeme war. Hence, the main aim of this article has been the question about the functioning of these lexemes in the culturally differential texts and about the scope of meaning depending on the social and functional conditions of use.The source of “unique” functioning of wojenka and wojneczka lexemes proved to be a folk song to be exact, where a large number of both diminutives results: first, from the fact that folk poetry is melic; secondly from typical for rural community point of view, according to which wojna, wojenka, wojneczka mean ‘a faraway place, a vague land’. A different scope of word meaning of the studied lexemes formed in legion songs from the First World War and some uprising songs. It allowed to talk about war with the same gentleness as about women and to emphasize the glorification of the specific kind of life and war deeds, as well as specific kind of joy and excitement in the fight for freedom of homeland, which was enslaved for 123 years.The custom of naming the hostilities wojenka or wojneczka and attributing to themslightly different meanings was recorded in the folk language but it has been gradually vanishing since the Second World War. Nowadays the word wojenka is used in a broader sense than given in dictionaries and refers not only to military conflict but to all types of conflicts, and very often gets ironic or humorous meaning. It is clear however, that the patterns of talking about a war which have achieved status of folkloreor mass, are up-to-date and they play a role of a cultural identifier.