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nr 19
171-186
EN
The aim of the paper is to show the fundamental role that the epistles played in late ancient literary life and intellectual exchange. The main source for this phenomenon are nine books of the letters of Sidonius Apollinaris (430-486), an important representative of 5th c. Gallic high culture, who was at the same time an important Roman politician and the Catholic church hierarch. In the present paper I am concentrating on the sources showing an image of Roman literary culture (still rich and strong at that time) in Northern and Central Gaul, the territories specially endangered by barbaric incursions. The state of affairs in these areas is less known, because the scholarly efforts concentrate on studying the refined intellectual and literary culture of Southern Gaul with its great city centers in Lyon, Narbonne, Bordeaux and Vienne. The examples presented here are, obviously, just a small selection of the great number of sources presented by Sidonius.
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nr 18
377-390
EN
The paper discusses the image of collegia poetarum in 5th c. Gaul, as presented in the poetry of Sidonius Apollinaris, one of the leading poets of the period. Thanks to his poetic works we have access to the information on the writings of a number of important authors, whose literary efforts have been lost, as well as to numerous facets of literary life in 5th c. Gaul.
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nr 17
189-201
EN
The present paper discusses the person and literary achievements of Claudianus Mamertus as seen by his fellow writer and friend, Sidonius Apollinaris. In his extant writings, Sidonius presents a sympathetic and, indeed, impressive image of his friend as both a devout member of the Christian community and an outstanding intellectual. Both the letters to Mamertus and the eulogy written after his death testify to the friendship between the two writers, and the intellectual, spiritual, and personal qualities of Claudianus Mamertus. Sidonius’ works concerning Mamertus are often analysed to underscore the philosophical and theological character of Mamertus’ work; yet their elegant form and their deep connection to cultural tradition deserves also an analysis from a more aesthetic, literary point of view.
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