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3 Národopisná revue (Journal of Ethnology)

3 Soukup M.

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„Adam přece také neplatil za Evu“: kompenzace za nevěstu u Nungonů a její proměny

100%

Soukup M.

Národopisná revue (Journal of Ethnology)

2015

tom 25

nr 1

10 - 18

The study presents a theoretical-empiric analysis of the bride-wealth with a focus on the cultures in New Guinea. In his explanation, the author describes usual features of the bride-wealth as well as relating anthropologic concepts and explanations. Special attention is paid to selected types of artefacts used as bride price in the New Guinea societies. The study thoroughly deals with the description and explanation of the bride-wealth (oretno) at the Nungon ethic group living in the Saruwaged Mountains. The author focuses especially on cultural changes that have influenced the bride-wealth in this ethnic group. This concerns mainly the impact of Christianity on the Nungon culture, and on marriage. The Nungons profess Lutheranism or Adventism. The members of both denominations however adapt a non-compatible stance against oretno, as described in detail in the study. The aim of the study is to describe the form and transformations of the bride-wealth in New Guinea on an example of the Nungon culture.

Kresba a malba v antropologii

100%

Soukup M.

2014

tom 24

nr 1

3 - 14

The subject of the study is to analyze the use of native drawings as a gnoseological tool in cultural anthropology taking into account the developmental transformations in visual anthropology. This was established as an independent anthropologic sub-discipline aimed at the study of culture especially by means of film and photograph. Native drawing is still rather undervalued in visual anthropology even though it disposes of considerable potential for the research of culture by visual means. This is documented by results of the research conducted by Mead, Bateson, Fortes, Alland and many others whom the contribution pays a special attention. In his study, the author will proceed not only from the analysis of implemented researches focused on native drawings, but he also will build on his own empiric experience with using the native drawings in the research of the Nungon ethnic group of Papua New Guinea. The aim of the study is to introduce the status of using the native drawings in anthropologic research, possibilities of using, analyzing, and interpreting the collected data and wider connections with visual anthropology.

Kultura na předkožce: novoguinejské variace na fíkový list

100%

Soukup M.

nr 2

109 - 118

The study deals with the analysis of penis sheaths the New Guinea men used to wear. The artefact was understood to be just a part of attire in some cultures, in other ones it was connected with initiations or worn solely on special occasions. The text presents the voluminous spectrum of materials the penis sheaths used to be made from, as well as the variety of occasions on which it used to be worn. Following cultural contacts and especially by the influence of missionaries and colonial administrations, the New Guinea men gradually stopped wearing the penis sheaths. The penis sheaths became a symbol of “primitiveness” based on which the colonial administrations and governments built their development and administrative projects. Nowadays, especially tourists desire to see the primitive New Guinea represented by a picture of the New Guinea man wearing the penis sheath. This has become a souvenir which can be bought in holiday resorts, at the airports or local markets. At present, penis sheaths are worn rather exceptionally in Papua-New Guinea, usually on festive occasions and as a part of cultural shows. In the part of New Guinea that belongs to Indonesia, penis sheaths are worn either in regions much-sought-for by tourists, or as a political protest.