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Crier la crise, nier la crise: solitude et solidarité dans l’expérience poétique de Michel Houellebecq et de Colette Nys-Mazure

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Jasionowicz S.

tom 17

nr 1

181-194

This article juxtaposes two strains of “the imagination of crisis” that manifest in the poetic practice of two contemporary francophone writers – the Michel Houellebecq (French) and the Colette Nys-Mazure (Belgian). Examination of several characteristic traits of their imaginary universes, such as for example the figure of the Father and of the Mother, invites reflection on the profound motivation that belies their artistic and existential standpoints. It would appear that the poetic strategies each adopts in the face of fundamental existential problems, correspond more or less directly to the Christian virtues (faith, hope, love), even though for Houellebecq (atheist or agnostic) the point of departure is the “dark side” of life, whilst Nys-Mazure (Christian, Catholic) chooses the “bright side”: both poets prefer to build rather than tear down. The intuition of a transcendence that emanates from their thirst for harmony in the chaotic modern world makes it possible to claim that poetry, which is capable of either “shouting the crisis from the rooftops” or refuting it, might possibly succeed in counteracting the “crise des vers”.

L’article a pour but de confronter deux variantes de « l’imaginaire de la crise » se manifestant dans les pratiques poétiques de deux écrivains francophones contemporains, Michel Houellebecq et Colette Nys-Mazure. L’examen de quelques traits caractéristiques de leurs univers imaginaires, représentés entre autres par les figures du Père et de la Mère, permet de réfléchir sur les motivations profondes de leurs attitudes artistiques et existentielles. Il s’avérera que les stratégies poétiques qu’ils adoptent face aux problèmes existentiels fondamentaux restent en correspondance plus ou moins directe avec les vertus chrétiennes (la foi, l’espérance et l’amour), même si le point de départ pour Houellebecq (athée ou agnostique) est la « part sombre » de l’existence alors que Nys-Mazure (chrétienne, catholique) choisit sa « part claire », tous deux préfèrent construire que démolir. L’intuition d’une transcendance qui émane de leur soif d’harmonie poursuivie dans le monde chaotique contemporain permet de constater que la poésie, contredisant la crise du sujet et celle de la société, détient les moyens qui permettent de s’opposer – non sans succès – à la fameuse « crise de vers ».

MITOANALIZA JAKO SZTUKA SZEROKIEGO WIDZENIA. PRZYCZYNKI DO STUDIÓW NAD WYOBRAŹNIĄ PONOWOCZESNĄ

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Jasionowicz S.

Prace Polonistyczne

2019

tom 74

13-28

The article examines the possibility of applying Gilbert Durand’s concept of the creative imagination and, in particular, the interrelated methods for the analysis of cultural texts (myth criticism and analysis) to the study of texts and artefacts created in the “postmodern moment” of Western culture. Questioning both the traditional systems of connotation developed in Western culture as well as those constructed in opposition to it as part of the Enlightenment project of modernity, the postmodernist worldview is still grounded in the imaginary. The effect of the “imaginational reaction” on the current state of Western civilization can be either a deepening of the present stagnation or an injection of new, invigorating impulses. The “paradoxical” figure of the New Traditional Man and the concept of the New Anthropological Spirit suggest possibilities for emerging from the impasse that has been affecting the humanities, if the makers and scholars of culture would be willing to recognize the necessity of the existence of an “antagonistic tension between dichotomous and non-dichotomous structures of the imaginary.” The ability to “see the big picture” thus appears to be tantamount to accepting the mythanalitical perspective in cultural studies, as postulated by Durand.