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Observation and Duration; Lyricism in Poems by Rev. Janusz Stanisław Pasierb

100%

Bałdyga K.

nr 1

Limiting Fr. Janusz Stanisław Pasierb’s poetry exclusively to references to the Bible and the salvation history restricts understanding of the phenomenon of his poetry. Noticing the dialogicality of the speaking subject allows for grasping the most relevant in his poetry – experience accessible to the senses is moved to a higher level. The poet accurately and with minute precision notes down what is available to the senses; also, being aware of entanglement in time and space of human experience, he incorporates into his poetry a small surplus – he rips the experience from the horizontally oriented world and immerses it in transcendent reality. Observation and endurance are pillars of thinking about lyricism; Pasierb’s poems show how the prospect of eternity consolidates the value of a single experience.

Obserwacja i trwanie – O liryczności wierszy ks. Janusza St. Pasierba

100%

Bałdyga K.

nr 1

39-48

Observation and endurance: on lyricism in Fr. Janusz St. Pasierb’s poems Limiting Fr. Janusz Stanisław Pasierb’s poetry exclusively to references to the Bible and the salvation history restricts understanding of the phenomenon of his poetry. Noticing the dialogicality of the speaking subject allows for grasping the most relevant in his poetry – experience accessible to the senses is moved to a higher level. The poet accurately and with minute precision notes down what is available to the senses; also, being aware of entanglement in time and space of human experience, he incorporates into his poetry a small surplus – he rips the experience from the horizontally oriented world and immerses it in transcendent reality. Observation and endurance are pillars of thinking about lyricism; Pasierb’s poems show how the prospect of eternity consolidates the value of a single experience.

Tomistyczne źródła poetyckiej estetyki Czesława Miłosza

100%

Bałdyga K.

nr 2

57-111

Thomist Sources of Czesław Miłosz’s Poetic Aesthetics The article shows the essays and poetry of Czeslaw Milosz in the context of Aquinas expressions about beauty. The fondness of the concrete, visibility, the realistic world and giving justice to these parts in the poetry and art hadto lead to rejection of the poetry of a pure form and abstraction. Milosz – as a hunter grasping the reality – protects the word which is connected with reality. He put the existence in the centre of his poetical world. The realistic and objective existence was a basic experience for him. This experience was noted down in his work. Thus, the inspiration by saint Thomas Aquinas affected his artistic choices. In the work of the poet, it is visible that the texts of Aquinas had been his set books for many years. This tasting of the philosopher’s work can be best seen in the comparison of the writing practice of Miłosz with the particular matters coming from Summa Theologiaeor Art and Wisdom of Maritain (the contemporary Thomist read by Miłosz).