In this article, I use Mieke Bal’ concept of wandering notions to analyse the conceptual apparatus that Zygmunt Bauman used in his works. In the first part of the text, I describe the most important features of his works which have connection with the practice of borrowing for the needs of the sociological discourse of the terms coming from other contexts: transdisciplinarity, connections with literature and art, engaged character. Then, I present the examples of the concepts of illustrative, propagation and foundation character which appear in his analyses. In the conclusion, I highlight the significance of categories redefined by him for social sciences and humanities development.
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