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3 Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

3 Iftimia C.

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Cent ans de Saussure (1916-2016) Sanda-Maria Ardeleanu, Ioana-Crina Coroi (coord.) Casa Editorială Demiurg, Iași, 2016, 196 p

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Iftimia C.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

2019

tom 12

167-172

Le Petit Prince ne va pas bien. Essai sur une pédagogie à rebours

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Iftimia C.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

2019

tom 12

113-124

In the present paper we compare Saint-Exupéry‘s Le petit princewith Mike Osborne‘s movie The Little Prince from the perspective of certainmodern teaching strategies, which we consider to be ―anti-pedagogical‖ at best.The aim of this essay is to point out that nowadays‘ education, be it parental orinstitutional, hence child/student-oriented, is going in a wrong direction and,worse even, leading to traumas. One of the multiple causes is that literatureplays an ever less significant role in the process of education.

Un regard sur quelques tendances dans le discours médiatique et littéraire contemporain (étude introductive)

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Iftimia C.

Concordia Discors vs Discordia Concors: Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies

2020

tom 14

11-25

The present study approaches the main thought-provoking subtopics addressed in the issue at hand from a present-day angle highlighting long-standing concepts like truth, history or literature through association with the overused and abused prefix post-. It further zooms in on the overstating, overdramatizing media discourse, on literary discourse turned self-reflexive, as well as on „politically correct‟ linguistics and translatology. The stance we take is that adopted by Philippe Muray in his writings on the tyranny of Good as fostered by never-ending contemporary festivocracy.