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Content available remote A painting by Ulisse Ciocchi from the archbishops’ collection in Kroměříž
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The painting of Christ as the Good Shepherd among Angels from the chateau in Kroměříž was purchased in 1901 from an antiques dealer in Rome, Othmar Schmidt, by the Olomouc Archbishop Theodor Kohn, who was trying to enlarge the painting collection of the Olomouc Archbishops with new acquisitions. The painting soon lost its original attribution to Parmigianino, under whose name it was purchased in Rome, and until now it has been listed as the work of a Venetian-Dutch painter. In this article we have a new attribution of the painting to the Tuscan artist Ulisse Ciocchi (circa 1570–1631), a pupil and colleague of Bernardino Poccetti (1548–1612). The wooden panel is painted on both sides. The front depicts the Resurrected Christ as the Good Shepherd, surrounded on each side by a trio of beautifully clothed Angels playing various musical instruments. Within the framework of Ciocchi’s work we can find a parallel on the iconographic side to this quite uniquely formed theme, situated in a landscape that is northern in tone. The same scene, although treated differently, was created by the painter using the mural technique in the years 1613–1614 in the former Dominican Convent of San Jacopo di Ripoli in Florence. At the request of six Sisters of the Order he painted in 1614 a picture for the main altar of Saint James Baptising Josiah shortly before his Execution. The six lilies along the lower edge are a reference to the six nuns who financed the painting on the occasion of their consecration. In the case of the Kroměříž painting the question arises of whether the painting does not contain some analogous hidden symbolism. The six women who had decided to dedicate their lives to Christ would, under his pastoral guidance, just like the Angels, emanate beautiful music, i.e. spread the faith, just as pure lilies give out a beautiful scent. Christ would then, figuratively speaking, accompany the novices through their spiritual life as the Good Shepherd. On the reverse side of the panel Ulisse Ciocchi depicted the family coat of arms of a so-far unidentified member of the Birago family. With regard to the dimensions of the panel and the fact that the scenes on the front and back are depicted in reverse, it may be assumed that the painting formed the lid of some keyboard instrument or possibly of some kind of chest.
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Obraz Krista jako Dobrého pastýře mezi anděly ze zámku v Kroměříži zakoupil v roce 1901 u římského antikváře Othmara Schmidta olomoucký arcibiskup Theodor Kohn, který se novými akvizicemi snažil rozšířit obrazovou sbírku olomouckých arcibiskupů. O své původní připsání Parmigianinovi, pod jehož jménem byl v Římě zakoupen, obraz brzy přišel a dosud byl veden jako dílo benátsko-nizozemského malíře. V tomto článku obraz nově připisujeme toskánskému malíři Ulissi Ciocchimu (asi léta 1570–1631), žáku a spolupracovníkovi Bernardina Poccettiho (1548–1612). Dřevěná deska je pomalována z obou stran. Přední strana znázorňuje Zmrtvýchvstalého Krista jako Dobrého pastýře, obklopeného ze stran vždy trojicí krásně oděných andělů hrajících na rozličné hudební nástroje. K tomuto po ikonografické stránce zcela ojediněle ztvárněnému námětu, situovanému do seversky laděné krajiny, nalezneme v rámci Ciocchiho díla paralelu. Tutéž scénu, jakkoli odlišně, malíř vytvořil v technice nástěnné malby v letech 1613–1614 v bývalém dominikánském klášteře San Jacopo di Ripoli ve Florencii. Na objednávku šesti řádových sester namaloval v roce 1614 hlavní oltářní obraz Svatý Jakub křtí před popravou Josiáše. Šestice lilií při spodním okraji odkazuje na šest řádových sester, jež obraz financovaly při příležitosti svého svěcení. V případě kroměřížského obrazu se nabízí otázka, zda malba neobsahuje nějakou analogickou skrytou symboliku. Šest žen, které se rozhodly spojit svůj život s Kristem, by pod jeho pastýřským vedením, stejně jako andělé, vyluzovalo krásnou hudbu, tj. šířilo víru, podobně jako čisté lilie ze sebe vydávají krásnou vůni. Kristus by tedy obrazně řečeno doprovázel jako dobrý pastýř novicky jejich duchovním životem. Na zadní straně desky Ulisse Ciocchi vyobrazil rodový znak zatím blíže neurčeného člena rodu Birago. Vzhledem k rozměrům desky a skutečnosti, že výjevy na přední a zadní straně jsou znázorněny převráceně, lze předpokládat, že obraz tvořil horní víko nějakého klávesového nástroje, případně nějaké truhlice.
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Czechia lost more than 3,000,000 inhabitants as a result of the WW II. Germans displaced from the borderland formed the largest part. The newcomers after 1945 were of a different character – without any relation to their new settlements. This population formed a special social milieu familiar with the socialist way of thinking and that of a suppressed middle class. The consequences of it are seen in demographic, economic, environmental and social areas. After 1989, the factories in the borderland were mostly closed down, armies left the territory, people were not prepared to start their own businesses. Large-scale landscape protection formed a new barrier. Tourism is not able to substitute for the decrease in employment. The hope in cross-border collaboration has been overestimated.
EN
Czechia lost more than 3,000,000 inhabitants as a result of the WW II. Germans displaced from the borderland formed the largest part. The newcomers after 1945 were of a different character – without any relation to their new settlements. This population formed a special social milieu familiar with the socialist way of thinking and that of a suppressed middle class. The consequences of it are seen in demographic, economic, environmental and social areas. After 1989, the factories in the borderland were mostly closed down, armies left the territory, people were not prepared to start their own businesses. Large-scale landscape protection formed a new barrier. Tourism is not able to substitute for the decrease in employment. The hope in cross-border collaboration has been overestimated.
EN
Objectives Carpal tunnel syndrome (CTS) is a common occupational disease. The aim was to assess the effect of preventive measures in automotive assembly workers. Material and Methods The analysis summarizes data from annual crosssectional studies. The 7-year analysis of data was based on medical records obtained from an occupational physician and inspections carried out at the workplace where targeted preventive measures were introduced, including better ergonomic arrangement of the workplace, technical adjustments facilitating the work, preventive nerve conduction studies (NCS) testing of the median nerve once a year, switching of workers and their targeted rotation within the workplace. The NCS testing of median nerve conduction at the wrist was the basic objective method for assessment of the prevalence and severity of CTS. Over the study period, the sample comprised 1804 workers at risk for repetitive overuse of the upper extremities, of whom 281 were females with a mean age of 38.5 years and 1523 were males with a mean age of 31.4 years. Results Over the study period, a total of 13 cases of CTS were recognized as an occupational disease in the plant, 8 of which occurred within the first 2 years from the initiation of production. Introduction of preventive measures decreased the prevalence of median neuropathy from 18.3% of examined extremities in 2011 to 10.5% in 2013 (p = 0.003). In early 2014, the production pace increased and this was accompanied by a rise in abnormal NCS findings to 16.9%. Over the study period, the rate of sensorimotor neuropathy decreased in favor of merely sensory neuropathies, which have been most frequent since 2013. The percentage of employees whose contracts were terminated due to median neuropathy decreased steadily from 5.5% to 0.4%. Conclusions Targeted prevention of work-related CTS is effective as evidenced by the decrease in the prevalence of median neuropathy detected by NCS. Int J Occup Med Environ Health 2017;30(1):45–54
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Objectives Malignant mesothelioma (MM) is the most serious asbestos-related disease. Its increasing incidence is alarming, suggesting the need for as early diagnosis as possible. This 4.5-year prospective longitudinal study aimed at assessing the benefit of measuring serum mesothelin as a marker for diagnosing malignant mesothelioma in individuals with previous occupational exposure to asbestos, as a part of their clinical follow-up care. Material and Methods The study comprised 309 participants (235 males, 74 females) with a mean age of 58.9 years (standard deviation (SD) = 9.8) and a mean duration of exposure to asbestos dust of 13.4 years (SD = 9.3). From 2009 to June 2013, all subjects were followed at a department of occupational medicine in Olomouc. Apart from the standard parts of medical examination (history, physical examination, simple chest radiographs and spirometry), the patients’ serum mesothelin levels were determined by the Mesomark immunoenzymatic diagnostic assay. Statistical analysis of the validity of serum mesothelin level measurement was carried out with respect to the diagnosis of MM. Results Among the participants, 16 (5.2%) individuals (14 males and 2 females) were diagnosed with malignant mesothelioma. Based on the detected mesothelin levels, their validity for prediction of malignant mesothelioma was calculated as follows: sensitivity – 0.75, specificity – 0.962, positive predictive value – 0.706, negative predictive value – 0.969, positive and negative likelihood ratios – 19.95 and 0.26, respectively, and diagnostic odds ratio – 76.8, at a 95% confidence interval. Conclusions The high specificity was identified indicating the low false positivity as well. In the case of detecting elevated soluble mesothelin-related peptides (SMRP) levels in formerly asbestos-exposed individuals, the possibility of the presence of MM should be included into the clinical consideration. The high negative predictive value denotes a lower probability of the presence of MM in patients with normal SMRP levels but due to the limiting lower sensitivity this possibility cannot be entirely excluded.
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