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CRITIQUE OF ETHICAL RELATIVISM IN NICOLAI HARTMANN

100%

Kopciuch L.

Edukacja Filozoficzna

2006

nr 41

157-170

N. Hartmann is a representative of 20-th century absolutism in axiology. The author analyses his arguments against ethical realtivism. These are: emotional cognition of values, its apriorical nature, demarcation of values and their validity and a distniction between relativism and relationism. It turns out that a historical change of valuation is a change of validity and not of the value itself.

DIFFERENCES IN THE STRUCTURE OF A WORK OF ART ACCORDING TO INGARDEN AND HARTMANN

100%

Kopciuch L.

Kwartalnik Filozoficzny

2008

tom 36

nr 2

101-114

On several occasions Roman Ingarden accused Hartmann of using his ideas concerning the stratified structure of a work of art. In this paper, thw aurhor shows that the dependence between the two concepts has no genetic character. First of all, Hartmann formulated general solutions about such objects before Ingarden published 'Das literarische Kunstwerk'. Already in the 'Grundzüge einer Metaphysik der Erkenntnis', Hartmann spoke about the two-layer structure of works of art. Secondly, unlike Ingarden, Hartmann argued that the material layer belongs to a work of art. These two arguments show that Ingarden's accusations are unfounded.