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From the Discipline of the Whole to the Art of Concentration: Revisions of the Eastern and Central European Avant-Gardes: Review

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Boruszkowska I.

Colloquia Humanistica

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2016

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nr 5

EN

From the Discipline of the Whole to the Art of Concentration: Revisions of the Eastern and Central European Avant-Gardes: ReviewA review of two recent volumes concerning the idea of Central-European avant-garde: Awangarda Środkowej i Wschodniej Europy – Innowacja czy naśladownictwo? Interpretacje, ed. Michalina Kmiecik, Małgorzata Szumna, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2015, 355 pp.; Głuchy brudnopis: Antologia manifestów awangardy Europy Środkowej, ed. Jakub Kornhauser, Kinga Siewior, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2015, 578 pp. Od dyscypliny całości do sztuki koncentracji: rewizje wchodnio- i środkowoeuropejskiej awangardy; recenzjaRecenzja dwóch niedawno opublikowanych tomów poświęconych środkowoeuropejskiej awangardzie: Awangarda Środkowej i Wschodniej Europy – Innowacja czy naśladownictwo? Interpretacje, red. Michalina Kmiecik, Małgorzata Szumna, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2015, 355 s., oraz Głuchy brudnopis: Antologia manifestów awangardy Europy Środkowej, red. Jakub Kornhauser, Kinga Siewior, Wydawnictwo Uniwersytetu Jagiellońskiego, Kraków 2015, 578 s.

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La mortelega grande, czyli „wielkie umieranie”. Zaraza jako katastrofa (w) wyobraźni

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Boruszkowska I.

Konteksty Kultury

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2020

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tom 17

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nr 3

312-327

EN

The present paper discusses two examples of literary depictions of epidemics: the libretto Zaraza w Bergamo (1897) by Young Poland writer and critic Karol Irzykowski and the novel Palę Paryż (1928) by Polish futurist author Bruno Jasieński, with both works exemplifying the trend to use the metaphor of pestilence to create a pessimistic image of reality. The author points out that interest in disease and epidemic as a literary subject often grows in the times of radical change and crises. The narratives of pestilence, plague or other collective threat in modernist and interwar literature were examples of apocalyptic narratives. The output of Polish modernist and avant-garde writers encompassed the entire spectrum of catastrophic themes, even if the range of disasters was limited only to plagues: the Black Death, cities ravaged by the bubonic plague, and raging epidemics of deathly flu strains frequently featured on the pages of literary works produced in the 19th and the 20th century.

PL

Artykuł omawia dwa literackie przykłady reprezentacji epidemii: libretto młodopolskiego pisarza i krytyka Karola Irzykowskiego Zaraza w Bergamo (1897) oraz utwór przedstawiciela polskiego futuryzmu – Brunona Jasieńskiego Palę Paryż (1928), które ukazują tendencje do pesymistycznego ujmowania rzeczywistości poprzez metaforę zarazy. Autorka wskazuje, iż zainteresowanie twórców chorobą i epidemią jako tematem literackim powraca w momentach przełomów i kryzysów. Narracje o zarazie, pladze czy innym powszechnym zagrożeniu będą w literaturze modernistycznej i międzywojennej reprezentowały właśnie narracje katastroficzne. Twórczość polskich modernistów i awangardzistów ujmuje bowiem całe spektrum katastroficznych tematów, nawet jeśli katastrofę zawęzić do plagi: morowa zaraza, zadżumione miasta i szalejące śmiertelne grypy goszczą na kartach literatury XIX i XX wieku.

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"Płynna cielesność". Ciało męskiego podmiotu w prozie Jurija Izdryka

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Boruszkowska I.

Slavica Wratislaviensia

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2011

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tom 153

655-662

EN

Corporeality and identity dilemmas connected with it accompany the protagonist created by one of the most interesting Ukrainian writers — Yuri Izdryk. In his works Wyspa Krk, Wozzeck and Podwójny Leon the author uses the space of prose to create the body of the character, the consciousness of the corporeal dimension of the being is very distinct. Zygmunt Bauman’s (contemporary philosopher) theories, concerning liquid life and liquid modernity, were used to describe corporeality of Izdryk’s protagonist. Attention was brought to the fact that this Ukrainian writer’s works are mainly prose realization of the contemporary humanist thought concerning body which is ill or deformed.

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Paradoksy awangardowego zaangażowania. Ideologia (artystycznej) zmiany w powieści „Palę Paryż” Brunona Jasieńskiego

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Boruszkowska I.

Zagadnienia Rodzajów Literackich

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2019

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tom 62

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nr 2

49-65

EN

The article contains considerations about the political and ideological engagement of the avantgarde writer that were developing in the inter war period and which have their origins amongst, for example, avant-garde ideas. The paper analyses Bruno Jasieński’s text “Palę Paryż” (I burn Paris) (1931), while the context for the novel is a critical revision of the relationship between politics and literature.

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Tekst infirmeryjny albo topografia doświadczenia medycznego

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Boruszkowska I.

Przestrzenie Teorii

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2017

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nr 28

EN

The article is a theoretical proposition for a new research category applied to descriptions of diseases within cultural texts. The author proposes a category tying together spatiality and disease, hence the concept of infirmary, which testifies to the complex relationships between space and the experience of illness, or more generally, medical experience, or between the place and the existence of a diseased person, the topography of medical experience. The word „infirmary” will at first glance evoke images of sickbay, i.e. the place for individuals suffering from a medical condition, where they are provided with treatment, and the locus of norm-transgression (that is to say, the norms of the sane society), as well as of stigmatization practices concerning the individual transgressors or deviants, and also of whatever actions are performed on those very individuals (for example, at the hands of doctors or medical personnel). In a nutshell, the concept will evoke all the forms of experience connected with health, disease, treatment practice (both in terms of those providing treatment and those being treated). The infirmary text will be a concept bringing together the narratives of a specific medical experience and the place/space, merging the discourse of disease (but also of health) with a spatial perspective. When speaking of infirmary text, we enter a very broad and multidimensional area situated between literature and medicine. An infirmary text is not limited to all spatial narratives concerning medical experiences, but also touches on extreme emotional experience (the power of affect), the diseases of soma and psyche, the medical institutions and the professional and social roles within their premises, the histories of diseases (especially in the form of autobiographical narratives), affective constructs in which emotions carry the role of „playing the part” of the world and constituting identities.

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Warsztat duetu autorskiego. O pisaniu kolaboratywnym Jolanty Fuchsówny i Jana Brzękowskiego

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Wójtowicz A. , Boruszkowska I.

Przestrzenie Teorii

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2021

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nr 35

139-153

EN

The article presents the concept of collaborative writing or multi-author writing using the example of the novel Black Paris by Jolanta Fuchsówna, a forgotten columnist of the “Ilustrowany Kurier Codzienny”, and the avant-garde poet and writer Jan Brzękowski. This interwar novel from 1932 is yet to be published in book form. The specificity of the preserved materials and the manuscript make the concept of collaborative writing the operative one for studying the text and describing these writers’ collaboration.