Wyniki wyszukiwania - Biblioteka Nauki

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„Jak to się stało, że masz syna z nowym Bondem?” – kobiece, męskie i boskie w poezji Justyny Bargielskiej

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Fazan J.

Poznańskie Studia Polonistyczne. Seria Literacka

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2018

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nr 33

29-40

EN

The paper applies to the work of one of the most important Polish writers of the last decade. Bargielska combines bold poetic experiments with a keen testimony of an ordinary life of a young woman, who experiences life in the beginning of the 21st century in Poland. On the one hand, the poet declares a conservative worldview (her value system is based on the “trinity”: Catholicism, heterosexuality, motherhood), on the other hand, she brutally and mercilessly uncovers the subjugation of a woman in the world of a male-dominated language. Her writing deconstructs this system, as it discovers the literature as a space for the practice of personal freedom beyond the slogans and ideological divisions; she manages to create her own independent form of existence. The poet renews feminine way of being through the deconstruction of religious myths and cultural stereotypes, confronted with the physiological and social reality.

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Mistyka i fizjologia – ciała Brunona Schulza

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Fazan J.

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nr 14

PL

PHYSIOLOGY AND MYSTIQUE – THE BODIES OF BRUNO SCHULZ The article concerns the close-knit relationship between the physiologically perceived human body and the mystical vision of the world which appears in Bruno Schulz’s literary creation. The search for an artistic formula for joining the opposites – the pungent, bestial nature of the earthly life and its cabalistic roots – characterizes the tension in Schulz’s writing, at the same time being a reaction to the crisis of the humanistic conception of man. In its creative, original remaking, it captures the Jewish tradition as well as elements of the Polish interwar avant-garde.

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Spotkanie z Innym (człowiekiem i – niekiedy, być może – z Bogiem) w poezji Stanisława Barańczaka

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Fazan J.

Poznańskie Studia Polonistyczne. Seria Literacka

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2019

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nr 36

95-105

EN

This outline touches upon the issue of the (failure of) communication as a challenge to modern poetry about political and anthropological topics. The author is interested in how Stanisław Barańczak’s poetry presents a meeting between people which is, first and foremost, a relationship with otherness describing the identity of an individual and their difference from the others. This relationship is often linked to power and violence that use the language of propaganda as a tool that poetry attempts to deconstruct and discredit. A unique extension of the human–human relationship is a search for a relationship with an entity other than human, which the poetry of the author of Journey in Winter (Podróż zimowa) presents as possible, yet actually unachievable.

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Ciała Tadeusza Peipera

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Fazan J.

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PL

Tadeusz Peiper’s bodiesThis article is an attempt to compare two different visions of human body in Tadeusz Peiper’s poetry and autobiographical prose. First is connected with the movement of Avant-garde art of the 1920s, the second reflects the late phase of Peiper’s life in the 1950s, strongly influenced by psychosis

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Austerlitz i Róża, czyli zjawy jako bohaterowie naszych czasów (projekty literatury w nożyku profesora Tadeusza Różewicza i Austerlitz W.G. Sebalda)

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Fazan J.

Konteksty Kultury

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2022

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tom 19

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nr 1

97-112

EN

This comparative sketch juxtaposes the late narrative poem nożyk profesora by Tadeusz Różewicz with W.G. Sebald’s last work, the novel Austerlitz from the same year, in the context of literary hauntology. Both works return to the issue of the Holocaust after more than half a century and take up the question of the relationship of the living (survivors or those born after the war) with the dead; a relationship which being both necessary and impossible inspires the idea of literature as facilitating the “meeting with the dead.” Both works are also deeply critical of the modern civilization, the inevitable consequence of which were the two world wars in the first half of the 20th century.

PL

Szkic ujmuje porównawczo późny poemat Tadeusza Różewicza nożyk profesora (2001) oraz ostatni utwór W.G. Sebalda, powieść Austerlitz z tego samego roku w kontekście literatury „widmoontologicznej”. Oba dzieła stanowią powroty do problematyki Zagłady po ponad półwieczu i podejmują problem obcowania żywych (ocalałych lub urodzonych po wojnie) z umarłymi; obcowanie to, tyleż konieczne, co niemożliwe, stanowi inspirację dla idei literatury umożliwiającej „spotkanie z umarłymi”. W obu dziełach pojawia się również głęboka krytyka cywilizacji nowoczesnej, której nieuchronnym następstwem były wojny światowe pierwszej połowy XX wieku.