Recenzja książki M. Jaya, „Pieśni doświadczenia”. Nowoczesne amerykańskie i europejskie wariacje na uniwersalny temat, przeł. A. Rejniak-Majewska, Kraków 2008.
This text tried to demonstrate the Critical Theory in the other than the sociological and political context. The author attempted to perceive in the philosophical conceptions of Adorno the elements of the theory of lecture and interpretation. There are some crucial notions and metaphors in the theoretical discourse of Adorno on which is obligated to focused: the text as a snare, the problem of invention, the question of style and idiom, the commentary in the prospect of the institution and epistemological theory. However, the main problem in this article is: how construct the critical discourse in the face of the primordial situation of commentator which is the impossibility of real express.
The article is a critical insight into Ryszard Nycz’s theoretical and antropological project included in his book, Culture as a Verb. Sounding out New Humanities. The fundamental argument is based on the archeology of Nyczean concepts, and their philosophical and socio-political implications. The analytical process focuses on three points. Firstly, the issue is the non-reducing meaning of the cultural experiment, which is the foundation of the “new” epistemology. Secondly, the question is the new idea of temporality, historicity, and relations between nature and culture. Thirdly, the focus is on the concept of praxis.
O książce Anny Burzyńskiej "Anty-teoria literatury" rozmawiają dr hab. Anna Burzyńska, prof. Anna Łebkowska, prof. Teresa Walas, prof. Henryk Markiewicz, prof. Ryszard Nycz, dr Tomasz Kunz i mgr Jakub Momro
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