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Montaż nowoczesności. Wystawa „Atlas nowoczesności” wobec wybranych wątków filozofii historii sztuki

100%

Jóźwiak K.

Internetowy Magazyn Filozoficzny Hybris

2016

tom 32

nr 1

19-35

In this article I examine the notion of “montage” in the contexts of both Muzeum Sztuki exhibition “Atlas of Modernity” and contemporary trends in aesthetics. In the exhibition folder there appears the word “montage” which describes a specific methodology of the exhibition. The way “montage” is being used metaphorically in the discourse of aesthetics is by no means new. Thus I decided to dig into the roots of the usage of this notion, which goes back to the beginning of 20th century when Aby Warburg established a new methodology in the visual studies, Walter Benjamin elaborated on his literary montage, and Sergey Eisenstein contributed to general theory of montage. Nevertheless, the very central figure is contemporary theorist Georges Didi-Huberman and his original reading of the above mentioned thinkers. Thus, using this constellation of names, I try to examine, how the notion deriving from cinematography happened to play such an important role in contemporary aesthetics.

Filosowiecki tryb cenzury filmowej we Włoszech epoki zimnej wojny – kontekst i studia przypadków

100%

Jóźwiak K.

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

2024

tom 37

nr 46

185-199

Despite Italy participating in the western alliance during the Cold War, anticommunism is quite absent from Italian movies. Any explicit criticism of the Soviet regime is a rarity in Italian cinema of the early Cold War period as well. The Soviet regime is never denounced as a totalitarian state, and seldom approached in a critical manner. Rare examples of films containing criticism of the Soviet Union usually faced difficulties at the level of development, censorship, and distribution. Surprisingly, this issue is not tackled by Italian film studies, and particularly by those focusing on censorship. This article addresses the issue of philosovietic mode of film censorship, the reason why it is misrepresented in film criticism and film history, and also the relevance of this issue in the current geopolitical situation.

Badania metalograficzne i mikroanalityczne meteorytu Morasko

51%

Popławski M. , Jóźwiak K. , Kachlicki T.

Acta Societatis Metheoriticae Polonorum

2011

tom 2

117-124

The following work is an attempt to characterize the microstructure of Morasko meteorite with the application of optical microscopy as well as transmission and scanning electron microscopy. Chemical composition was examined with EDS and OES methods. The occurrence of mechanical twins has been detected which is scarce in case of earthly a iron. The groundmass of the examined alloy constitutes a ferronickel (approx. 7% Ni) of A2 lattice. On the surface of metallographic microsection there can be seen Neumann bands and abundance of ferrophosphorus (Fe, Ni)3P.