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DID SLOWACKI WRITE POEMS IN FRENCH? ON THE BEGINNING OF THE POET'S CAREER IN PARIS IN 1832 (Czy Slowacki pisal francuskie wiersze? O poczatkach kariery literackiej poety w Paryzu 1832 roku)

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Przychodniak Z.

Pamiętnik Literacki

2009

tom 100

nr 3

181-199

The subject of the article is Juliusz Slowacki's literary activity in the first period of his stay in Paris (September 1831 - December 1832), after the collapse of the Polish November Insurrection (1830-1831), among the Polish émigrés and in the French communities (among others, his contacts with Marc-Antoine Jullien, the editor of 'Revue encyclopédique'). Slowacki prepares his literary debut ('Poezje' (Poetry), vol. 1-2, 1832), strives for his recognition by critics and considers writing in French. The aim of the paper is a description of the relation between Slowacki's literary pieces in Polish and in French (En s'éveillant nous suit de ses regards pensifs..., Le Roi de Ladawa, Béatrix Cenci) and an explanation of the reason of his failure in reaching a satisfactory literary position.

Józefa Korzeniowskiego próby i kolizje romantyczne Jeszcze raz o tragedii „Mnich”

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Przychodniak Z. , Uniwersytet im. Adama Mickiewicza w Poznaniu I. F. P. , zbiniak@amu.edu.pl

The object of this analysis is a drama by J. Korzeniowski from his time in Krzemieniec: a tragedy called “Mnich – The Monk” (1826, published in 1830). The piece, which depicts the last days of the king Bolesław Śmiały, is distinguished by many references to earlier theatrical and dramatical traditions (from antiquity and classicism to Shakespeare and Schiller’s works), which characterizes the early period of Korzeniowski’s creation. The author of “The Monk” seeks a new formula for the historical-religious drama, combining the historicism and picturesqueness with some elements of the medieval mystery play and psychological conscience drama. The paper also deals with the ambiguous reception of Korzeniowski’s early works by the Romantic writers, the culmination of which was a prominent rejection of “The Monk” by Maurycy Mochnacki, a decision motivated with his ideological convictions.