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3 Symbolae Philologorum Posnaniensium Graecae et Latinae

3 Wasyl A. M.

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Marcjalis wśród Wandalów. Epigram skoptyczny Luxoriusa a tradycja gatunku

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Wasyl A. M.

Symbolae Philologorum Posnaniensium Graecae et Latinae

2010

tom 20

nr 1

95-108

This paper is devoted to scoptic epigrams of Luxorius, the so-called Carthaginian Martial, active in Carthage during the last decades of the Vandal occupation of North Africa in the sixth century A.D. I focus first on the question of the genre as understood ad employed by the poet, most probably the first conscious follower of the Martialian model of the epigram in Latin literature. In the second part of my paper I propose a comparative reading of a few scoptic themes by Martial and Luxorius, namely: 1) a lover of ugly girls (L. 329 R2; M. I 10, III 76); 2) an old man trying to hide his age (L. 343 R2; M. III 43, VI 57); 3) an aged woman and sex (L. 301 R2; M. X 67); 4) a blind man pleased with his handicap (L. 357 R2; M. VIII 51). As I show, Luxorius's elaboration of certain epigrammatic motifs can be considered not less successful and interesting to read than Martial's.

Quemlibet dehortari ne … senectutis vicia desideret. Maximianus’s Elegy on Old Age and a Few Examples of Its Medieval Reception.

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Wasyl A. M.

Symbolae Philologorum Posnaniensium Graecae et Latinae

2014

tom 24

nr 2

135-152

The present paper is devoted to Maximianus, and in particular to the motif of mala senectutis as developed by this late antique (6th cent. A.D.) Latin elegiac poet. After discussing some particularly informative passages, I focus on Maximianus’s interpretations and reinterpretations by Columbanus (543 – 615), Eugenius of Toledo († 657), and the anonymous author of the ninth century Imitatio Maximiani. I also point out his presence in vernacular medieval literature, namely English. Last but not least, I demonstrate how Maximianus’s image of an old man praying to Mother Earth inspired one of medieval scribes copying his text (in ms BJ 2141).

Sąd Parysa. Widowisko pantomimiczne (w relacji filozoficznego osła)

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Wasyl A. M.

Symbolae Philologorum Posnaniensium Graecae et Latinae

2020

tom 30

This paper focuses on the description of a pantomimic spectacle given by Apuleius in the 10th book of his Metamorphoses. Set in a theater in Corinth and narrated by Lucius the ass, this performance relates the story of the judgment of Paris. Lucius, as the viewer of the performance (and, from our perspective, its main teller), styles himself as an objective ‘connoisseur’ of the art of pantomime. Upon a closer look, however, one realizes that he has been absorbed by the scenic illusion and takes it for his own reality. Consequently, despite his penchant for philosophizing, he turns out to be not merely Lucius the ass, but an asinine philosopher, indeed.