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DE
Der Artikel enthält das Abstract auschließlich in englischer Sprache.
EN
Based on a corpus of nine tales by Oscar Wilde (making up the two well-known volumes: The Happy Prince and Other Stories, 1888, and A House of Pomegranates, 1891), along with nine Romanian versions of these texts, the present article aims at reflecting on the linguo-semantic expression of emotion (with a focus on subjective adjectives like little, big, poor etc.), as well as making an inventory of the compensation strategies used by translators, taking into account the fact that most Romanian versions are addressed to children, and also that translation criticism, just like translating itself, is a matter of instinct, taste, affinity, finally emotion.
FR
L'article contient uniquement le résumé en anglais.
EN
In the present paper, we offer a glimpse at a classic, canonical book on philology (namely Initiation à la philologie française, by N.N. Condeescu, published in 1969) and at its (ir)relevance against the backdrop of the evolution of philological studies from the 1970s to the language and literature studies of the new millennium. The article is therefore a reflection on philology (a term as vague in Romanian as it is in French) and on its scope of application in Romania.
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