In this article the author seeks to define more precisely the atmosphere (the non-linear rhythm) of verse and the situation, which he sees as the unsymmetrical analysis of the basic evaluative approaches to the Ich and non-Ich. He creates a symmetrical structure of eight basic rhythmic qualities of atmosphere, and, after extensive psychosemantic research, finds 216 distinct rhythmic qualities in Czech verse. He then applies what he has discovered to a description of the atmosphere of six Czech lines, again based on his psychosemantic research into the evaluative approach.
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Subjectivity in the rhythm of the lyrical image manifests itself in two different, yet parallel, rhythm spaces. The space of the linear rhythm of the lyrical image, which is formed by the movement of perception is more passive, more sensuously objectivized than the value-positive (upward and outward) and value-negative (downward and inward) orientation (in the metaphors of the iamb and trochee). The space of the nonlinear rhythm (of atmosphere) of the lyrical image, which is created by the movement of perception is more active, more emotionally subjective in comparison the value-positive (pleasant, suggesting a warm colour, active) and value-negative (unpleasant, suggesting a cool colour, passive) emotionally evocative orientation. This article, based on psychosemantic study of the lexis of Antonin Sova's (1864-1928) poem 'Dym' (Smoke) inquires into the relationship between the value shifts in the perception of the semantics of the poem's lexis and phraseology, and concepts of the lyrical image's movement, rhythm, and rest.
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