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Jeremy Millar, M/W

100%

Polit P.

Konteksty - Polska Sztuka Ludowa

2014

tom 68

nr 3-4(306-307)

369-370

A text by the curator of M/W, an exhibition of works by Jeremy Millar held at the Łódź Art Museum in 2014.

Philosophical Marginalia by Stanisław Ignacy Witkiewicz

100%

Polit P.

nr 4(31)

149-154

This article develops the idea which stood behind the exhibition entitled Stanisław Ignacy Witkiewicz – Philosophical Margins held at the Centre for Contemporary Art Ujazdowski Castle, Warsaw, in 2004. This exhibition focused upon the hitherto unknown forms of Witkiewicz's creative activities: it presented the notes and drawings that the artist and writer made in the 1930s in the margins of the philosophical books he read. Witkacy's marginal notes constitute often humorous comments to the texts he studied and are intertwined with notes of a personal nature; the drawings he added at page edges suggest motifs known widely from his paintings. The purpose of the exhibition was to draw an analogy between Witkacy's artistic concepts and his philosophical thinking. The article is meant as a reflection upon the question of place and role of philosophy in his output as a whole.

Koncepcja miejsca Mariusza Tchorka w kontekstach unizmu i estetyki fenomenologicznej

100%

Polit P.

Konteksty - Polska Sztuka Ludowa

2018

tom 72

nr 4(323)

240-250

The text sets out to describe the origin and development of Mariusz Tchorek’s conception of the place coined in response to post-war developments in abstract painting – Henryk Stażewski’s late version of Constructivism, on the one hand, and the informel type of painting, on the other hand. Other points of reference were Katarzyna Kobro’s and Władysław Strzeminski’s programme of Unism and Roman Ingarden’s theory of painting; the article shows the way in which Tchorek’s conception of the place connects the ontological aspect of a Unist work with the notion of intentionality developed in Ingarden’s aesthetics. In addition, it highlights the performative dimension of Tchorek’s theoretical reflection.