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The Pop-Cultural Phenomenon of Taiwanese TV Drama: Remodelled Fairy Tales and Playing with Virtues

100%

Kasarełło L.

2015

nr 28

113-121

This paper attempt to define and classify Taiwanese drama in terms of its genre, origin, audience, structure and meaning, placing the phenomenon in broader cultural and historical context. The main textual study subject here is reduced to idol drama and some prime-time drama (except history drama) representing main types of lianxuju. Taiwanese drama as a form of imaginary reality embodies several characteristics of a fairy tale, which are recreated and rewritten. Narrative paradigm of lianxuju related to (fairy) tale is universal, whereas its syntagmatic code is regional (Taiwanese). Articulating tension between Confucian virtues and the modern values of individual emancipation Taiwanese drama reflect at the syntagmatic level mixture of old and new ideologies.

Serial telewizyjny w dobie „nowej kultury” Chin

100%

Kasarełło L.

nr 3-4 (263-264)

385-400

This paper attempt to define and classify contemporary television series produced in China (chin. dianshiju); (eng. Chinese drama) in terms of its genre, ori-gin, audience, structure, function and meaning, placing the phenomenon in a broader theoretical, cultural and historical context. The major textual study subject and exem-plification are reduced to melodrama, domestic drama, family drama, history drama, idol drama—representing the main types of dianshiju in the 21st century.

In memoriam. Profesor Mieczysław Jerzy Künstler (1933–2007). Wybitny sinolog i erudyta

88%

Kasarełło L.

Azja-Pacyfik

2008

nr XI

219-222