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O pochówkach serc Michała Korybuta Wiśniowieckiego i Klary Izabelli de Mailly-Lascaris Pacowej oraz o nekropoli Paców w Pożajściu

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nr 4

671-695

On 10 November 1673, King Michał Korybut Wiśniowiecki died in Lwów. According to the King’s instruction, his heart was to be deposited at the Camaldolite Church near Warsaw. It was placed in a silver tin of that shape, bearing an engraved coat of arms of the Polish-Lithuanian Commonwealth with the Korybut coat of arms of the king. The Camaldolites deposited the urn in a niche in the north wall of the first span of the chancel It was covered with an epitaph painted on metal sheet, which the monks funded with their own resources presumably in early 1674. It is the only monument in the territory of the former Polish-Lithuanian Commonwealth commemorating the burial site of a Polish King’s heart.

Kaplice św. Kazimierza i Niepokalanego Poczęcia Najświętszej Maryi Panny przy katedrze wileńskiej oczami karmelitanek bosych – nierozpoznane źródło z 1638 r.

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tom XXIV

162-169

The article recalls a source from 1638 which has hitherto not been referred to in the subject-matter literature, concerning the history of two chapels at the cathedral in Vilnius: the chapel of St. Casimir founded by King Zygmunt III, and the chapel of the Immaculate Conception which was furnished as a burial chapel by Bishop Eustachy Wołłowicz (lit. Eustachijus Valavičius). The source is a diary from travels from Lublin to Vilnius (14 November–26 December 1638) written by Carmelite nuns when going to a new monastery founded by Stefan Pac (lit. Steponas Pacas) and his wife Anna Maria Ancilia née Rudomina–Dusiacka (lit. Ona Marija Ancilia Rudomina-Dusiackaitė). The memoirs were written by a nun, Mary Magdalene (Anna Żaboklicka) who described various aspects of their journeys as well as a visit to the Vilnius Cathedral organised by the Pac family. The nuns were particularly impressed by the chapel of St. Casimir. Thanks to the fact that the nun described the chapel in detail, it was possible to reconstruct the subjects of some paintings by Bartłomiej Strobel, and to additionally interpret several facts connected with the appearance of the altar with the reliquary of St. Casimir. Even though the description of the chapel of Bishop Eustachy Wołłowicz is not as detailed, it should be underlined that by inviting the nuns there, the Pac family wanted to emphasise their kinship with the monarch of Vilnius, who was commonly highly regarded.