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5 Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica

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Język polski – wczoraj, dziś, jutro..., red. Barbara Czopek-Kopciuch, Piotr Żmigrodzki Kraków: Wydawnictwo LEXIS, 2010, ss. 431

100%

Kowalik K.

nr 7

brak

Topograficzno-historyczna geneza nazw własnych krakowskich mostów i innych budowli służących przeprawie

100%

Kowalik K.

nr 15

131-144

The following paper is dedicated to the analysis of 41 proper names (including 18 historical names) of structures in Cracow used for crossing water and terrain, identified architecturally as bridges, footbridges, trestle bridges and flyovers. These names have got a rather distinct structure: the anteposition contains a generic name, while the postposition comprises an individualising determinant, such as an adjective or a noun in genitive case, less frequently nominative: most Dębnicki (bridge), most Wandy (bridge), most Lajkonik (bridge); kładka Ojca Bernatka (footbridge), estakada Obrońców Lwowa (trestle bridge). Most of these terms have toponymic or anthroponymic motivation connected with Cracow, others belong to exceptions. There is a tendency for using commemorative names, introduced with the preposition imienia/im. (named after): most im. Kardynała Franciszka Macharskiego. Due to the fact that these structures are located in the city, their names belong to urbanonymy. The physical appearance and function of these facilities make it possible to apply in their names the notion of hodonymy. In the Russian language the term gefironim has been used in reference to these names. In terms of the type of denoted structures, the notion gefironim is narrower than an urbanonym, but it is wider when it comes to the area in which these structures are located.

Podstawowe typy strukturalne nazw własnych współczesnych teatrów w Polsce

100%

Kowalik K.

nr 5

The subject of the article are the names of currently open Polish theatres. Attention is focused on the formal structure of the names, i.e. the number and type of the components of the official name of a theatre. Theatre names are nominal in nature and are saturated with vocabulary from the broad semantic field of theatre. The constitutive element of most names is the lexeme THEATRE. Additional identifying and defining elements are adjectives and common or proper (name of the patron) nouns. The minimal name consists of two elements. Other names vary as for their length, yet the order of elements extending the name can be easily established.

Nazwy własne i ich pochodne w polskiej współczesnej nomenklaturze kulinarnej

100%

Kowalik K.

nr 8

The article pertains to the culinary terminology that is contemporarily used in the Polish language. The main aim of the article is to define the scope and way of using proper names and their derivatives in the creation of culinary terminology, i.e. subcategories of proper names that appear in that terminology, their grammatical categories, their function and position in the complex structure of a culinary name.

Barwy Bułgarii. Mariola Walczak‑Mikołajczakowa, Kolory w języku i kulturze bułgarskiej, Uniwersytet im. Adama Mickiewicza w Poznaniu. Seria Filologia Słowiańska, nr 52, Poznań 2022, ss. 190

63%

Kowalik K. , Darasz W.

nr 18

331-338