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3 IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych

3 Kisielewska A.

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Granice telewizyjnych światów a tożsamość kulturowa

100%

Kisielewska A.

IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych

2015

tom 27

291-302

The paper deals with the problem of the limits of the television created worlds which determine cultural identities of blurred cultural and medial borderlines. The concept of a border in cultural-and-medial space is seen in this paper as a communicational, negotiable game. What I offer here is a review of the ways television viewers can be able to trespass the television-set limits, how they can create virtual communities and cultural identities. My perspective is basically Polish, based on analyses of Polish communication practices.

Racjonalność potoczna a telewizyjne obrazy świata. Perspektywa polska

100%

Kisielewska A.

IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych

2017

tom 29/2

The article concerns common knowledge seen as a kind of a rational construction that determines symbolic images of the world shown on TV. The article looks at symbolic strategies of “domesticating” the world, both local and global. The Polish perspective is adopted since images of the world shown on TV share some common features that result from television language, but are specific for different television channels, not only in the world but also within one country – Poland. I will take a look at images of the world shown by Polish television channels.

Seriale telewizyjne jako wspólnoty symboliczne

100%

Kisielewska A.

IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych

2016

tom 28/2

91-106

The object of consideration in this article are TV series present on the Polish media market, produced since the 1990s until today. The series are both American and Polish. In this article they are considered as symbolic communities. I scrutinize the characters presented in each of the series to demonstrate that they impersonate television myths belonging to a wider symbolic process of creating television mythologies. By conceiving series’ characters as symbolic constructions I attempt to answer the question, what those popular series myths tell us and what kind of communities emerge around them.