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Content available Leopold Nowotny (1820-1870). Historia relacji polsko-włoskich i poszukiwania nowego kanonu
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Prałat E.
pl.it / rassegna italiana di argomenti polacchi
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2021
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nr 12
201-216
EN
This paper focuses on the history of contacts between Leopold Nowotny, a Polish painter of Czech origin who spent almost his entire life in Rome working within the circle of artists associated with Friedrich Overbeck, the Nazarenes movement, and Cyprian Kamil Norwid. In light of the discovered legacy of Nowotny, I contextualise his profile in respect to Rome’s cultural background during the years 1835–1875 and the Polish artistic colony on the Tiber; I also try to shed some light on the links between Nowotny, Norwid, the Odescalchi family, and several cultural and social activists (the circle of ultramontanists). From an ideological perspective, in Nowotny's work an important role was played by way he developed a narrative aimed at building the Slavic and Christian community. Other significant features examined in this paper are the reference to the canon of Nazarene art as well as the attempt to establish his own ideological and artistic canon.
2
Content available Obraz i tekst w służbie Absolutu. Manuskrypt średniowieczny a idea dzieła totalnego
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Prałat E.
Poznańskie Studia Slawistyczne
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2012
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nr 2
EN
The article takes up the problem of the medieval manuscript as an example of a total work of art.  Miniature  painting  is  an  example  of  diffusional  transmittance  of  the  various  semiotic orders, which define each other and lead to the creation of a reflection of divine beauty and harmony.  The  text  also  refers  to  the  problem  of  iconoclasm.  Historical  material  from the  South  Slavic  area shows  the  art  of  cultural  borderlands,  where  elements  based  on  the principle  of  pars  pro  to to are  reflected  in  miniature  painting.  The  intersemiotic  research tradition is presented synthetically.
PL
The article takes up the problem of the medieval manuscript as an example of a total work of art.  Miniature  painting  is  an  example  of  diffusional  transmittance  of  the  various  semiotic orders, which define each other and lead to the creation of a reflection of divine beauty and harmony.  The  text  also  refers  to  the  problem  of  iconoclasm.  Historical  material  from the  South  Slavic  area shows  the  art  of  cultural  borderlands,  where  elements  based  on  the principle  of  pars  pro  to to are  reflected  in  miniature  painting.  The  intersemiotic  research tradition is presented synthetically. 
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