The article points out the similarity of idea in poetry and philosophy. Poets and philosophers describe the same phenomena and walk the same path in solidarity. Mallarmé and Heidegger speak of Nothingness and show Nothingness. Mallarmé descended deeply enough into Nothingness to speak about it with confidence. Where to look for nothing and how to find it? How can nothing be shown? And what does nothing itself show? Nothingness is revealed through Anxiety. Therefore, the abnormal anxiety that possess the poet is an experience of suffering from Nothingness. Nothing is known as a thing or as a condition. It is happening as we speak. Nothingness is expressed as it is, as an „empty salon“.
The author tries to outline the new possibilities the phenomenology offers for the considerations of a specific type of phenomenality which in some respects goes beyond the rules of phenomenalization as defined by Husserl in connection with 'the principle of principles' as well as exploring the horizon, i.e. the constitutive condition of any giving. While the phenomenon - equally with Kant and Husserl - gives itself to the extent corresponding its intuition inadequacy or 'lacking' of intuition, the author tries to outline (with all consequences included) such a conception of a phenomenon, which would be marked by a 'surplus' of intuition. Drawing on Husserl and especially on Kant, the definition of the 'saturated phenomenon' proceeds step by step on the ground of a critical interpretation of some Kantian concepts. Such an unconditioned and irreducible phenomenon transcends in its nature everything the intentional meaning is able to comprehend. From this it is obvious, that the concept of a saturated phenomenon urges us to revise also the phenomenological concept of subject as a constitutive instance (facing the saturated phenomenon the subject on the contrary becomes a constituted instance). Further, the phenomenological analysis borders here a certain type of religious experience.
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