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1
Content available remote Strojopis Prometheových jater z textologické perspektivy
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2013
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tom 61
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nr 4
580-592
EN
The present article summarizes new information proveded by the State Security investigation file against Jiří Kolář regarding the text of Prometheova játra and changes made to it before the first attempt at book publication (1970). The article centres around a comparison of the typescript confiscated in 1952 at Václav Černý's home and the most complete version to date of Prometheova játra (the book proofs of 1970 and the book publication of 2000). The differences show that before the book publication Kolář made numerous changes in the original version, particularly omitting passages containing proper nouns and invective against the communist regime. The most important changes are given in the appendix.
2
Content available remote Od děrných štítků ke Korpusu českého verše
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2017
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tom 65
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nr 1
108-117
EN
The present article focuses on determining the place of Květa Sgallová in the history of the post-war research on the Czech verse. Taking into account the latest Sgallová’s book, O českém verši [On Czech verse] (2015), her scholarly biography is drafted with a special emphasis on her efforts to use computational techniques in verse-theory research. The second part of the article deals with the current work of the Versification research group (Institute of Czech literature of the CAS) members, Petr Plecháč and Robert Kolár.
CS
Úvaha nad knihou Květy Sgallové O českém verši. Autor charakterizuje její postavení v poválečném výzkumu českého verše a vyzdvihuje její důraz na využítí počítačových metod. V druhé části se článek zabývá současnou prací členů versologického týmu ÚČL AV ČR, Petra Plecháče a Roberta Kolára.
3
Content available remote Rytmická stránka Nerudova rýmu
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nr 3
409-427
EN
This article considers the rhythmical aspect of rhyme in the published collections of verse of Jan Neruda (1834-1891), Hřbitovní kvítí (1857), Knihy veršů (1867), Písně kosmické (1878), Balady a romance (1878-83), and Zpěvy páteční (1896). The author´s method is to start from the theoretical works of Jan Mukařovský (1891-1975) (the rhythmical aspect of rhyme) and Miroslav Červenka (1932-2005) (the structure of endings in Czech syllabotonic verse). When describing Neruda´s collections, the author focuses on the frequency of the individual endings and their combinations in rhyming lines. The discussion is based on comparing the actual frequency of endings with their theoretical frequency (resulting from linguistic factors). The changes in frequency of endings from one collection to the other are put into a system with changes in, among other things, the range of meters and stanza types, and changes in the semantics of the rhyme. Particular attention is paid to the question of dactylic rhyme, which was an essential ingredient of Písně kosmické and Prosté motivy, and the question of rhyme without meter.
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