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1
Content available The Manor House of Helena and Józef Badeni at Wadów
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Dworzak A.
Modus. Prace z historii sztuki
|
2014
|
tom 14
249-266
EN
The manor house of Helena and Józef Badeni at Wadów has so far not received monographic treatment. Historical studies and conservation treatment reports as well as popular works datę the construction of the house to the year 1874 and ascribe its design to the architect Antoni Łuszczkiewicz. Better documented is the twentiethcentury history of the Wadów estate and its house, but also these data are not free from inaccuracies. In 1873 the village was sold to Józef Badeni who died shortly afterwards (in 1878). The coats of arms of Badeni and his wife, Helena nee Wężyk, depicted on the manors entrance porch suggest that the building was erected between 1873 and 1878. The analysis of the architectural forms of the edifice has unequivocally indicated that its architect must have been trained on the models of Karl Friedrich Schinkel and was under influence of the current which was originated by Schinkel in the architecture of Berlin in the second half of the nineteenth century. Graphic models can be identified for particular architectural details used by the architect in the building. The manor house at Wadów exhibits also close similarities with the house of the Wężyk family at Minoga, designed by Filip Pokutyński in 1859. A detailed comparative analysis of both houses has concluded that the design of the Badeni manor is of lesser ąuality and hence its authorship cannot be ascribed to Pokutyński. A comparison of characteristic elements appearing in the Wadów manor with their counterparts in independent realisations by Antoni Łuszczkiewicz has confirmed the attribution of the Wadów house to this architect. It also revealed that the patrons themselves must have significantly contributed to the shaping of their new home; they apparently instructed the architect to model the Wadów house after the manor of the Wężyk family
2
Content available The 80th anniversary of the birth of Professor Adam Małkiewicz
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Dworzak A.
Modus. Prace z historii sztuki
|
2017
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tom 17
113-117
XX
The 80th anniversary of the birth of Professor Adam Małkiewicz
3
Content available The Woodcarver from Przeworsk Antoni Rarogiewicz (1858-1925): An Outline of his Career
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Dworzak A.
Modus. Prace z historii sztuki
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2017
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tom 17
35-50
EN
The present paper is intended as a summary of known facts about Antoni Rarogiewicz, a woodcaryer from Przeworsk. Supplemented with recently discoyered information, the paper presents an outline of his career which may serve as a point of departure for a morę detailed inyestigation into the woodcaryer s life and work. Until now the basie information on Rarogiewicz could be found in “The Dictionary of Polish Artists”, which, in the light of documents surviving in the Archiyes of the Polish Province of the Obseryant Franciscans [Bernardines] in Cracow, reąuires amendments (mainly as far as the dates of the woodcarver’s engagement in the Obseryant Franciscan church in Przeworsk are concerned). Apart from an analysis of Rarogiewiczs work for the Obseryant Franciscans in Przeworsk, the paper puts together archiyal information on his social actiyities, such as his contacts with the Przeworsk woodcaryers’ guild and his membership in the ‘Gwiazda’ association of craftsmen in Przeworsk. The biography of the artist and outline of his career have been supplemented by a presentation of a collection of his drawings recently donated to the Museum in Przeworsk by his heir, Jan Burnat
4
Content available remote „Nie może mi Wielebny Monaster zadać, aby robota niebyła doskonała”. Kilka uwag na temat sporu Macieja Polejowskiego z bazylianami poczajowskimi
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Dworzak A.
Biuletyn Historii Sztuki
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2013
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tom 75
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nr 1
101-114
EN
So-far unpublished archival records related to the dispute the sculptor Maciej Polejowski had with the Basilians from Poczajów are analysed. The controversy took place in 1783 and was related to 6 brick altars Polejowski was to execute for the Poczajów Lavra, commissioned by Mikołaj Potocki, Bełz Voivode and the convent’s founder.
5
Content available Uwagi o „fabryce" kolegiaty sandomierskiej w XVII i XVIII wieku - na marginesie książki Krzysztofa Rafała Prokopa, „Fabrica ecciesiae". Budowa i utrzymanie katolckich miejsc kultu w diecezji krakowskiej w czasach nowożytnych
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Dworzak A.
Modus. Prace z historii sztuki
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2015
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tom 15
247-256
6
Content available Jubileusz siedemdziesięciolecia urodzin Profesora Jana K. Ostrowskiego
63%
Betlej A. , Dworzak A.
Modus. Prace z historii sztuki
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2018
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tom 18
173-176
PL
28 kwietnia odbyła się w naszym Instytucie wyjątkowa uroczystość – jubileusz siedemdziesięciolecia urodzin Pana Profesora Jana K. Ostrowskiego, połączony z wręczeniem dedykowanej Mu księgi pamiątkowej p.t. VELIS QUOD POSSIS.
7
Content available Professor Jan K. Ostrowski's seventieth birthday celebration
63%
Betlej A. , Dworzak A.
Modus. Prace z historii sztuki
|
2018
|
tom 18
177-180
EN
On April 28, a special ceremony took place in our Institute to celebrate the seventieth birthday of Professor Jan K. Ostrowski, whereupon He was presented with a memorial book VELIS QUOD POSSIS, dedicated to Him.
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