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tom 152
27-34
EN
In this article the comparative analysis of series of works by Ivan Turgenev from Sketches from a Hunter’s Album and from Folk Stories by Marko Vovchok, where the key roles were played by female characters, has been carried out. Having analyzed the characters in the categories of needlessness or as “weird characters” and having used Lancanov’s idea of Alien, one can assume that going out of the boundaries of behaviors defined by society, the women find themselves in no way out. Not only do they not meet the expectations of new time ideology but also they do not fulfill the classical model of a mother, wife or lover. The model of new, “weird” characters experiencing reality and in turn not being able to find themselves in real life, has determined considerably the concept of love in later work of Ivan Turgenev and the pictures of feminists by Marko Vovchok.
EN
An attempt to interpret a category of dream in the work of Hryhorii Skovoroda based on his prosaic piece Sleep as well as selected works from God’s garden songs has been presented in this article. Oneiric semantics is one of Baroque writer’s leitmotifs. The writer clarifies avision of human being who does not proceed in accordance with his own heart. He treats atemporal existence not as something transitional but gives it ameaning to fulfil his final desires. In the context of antinomy, mortal life, eternity and lust, aquestion of human freedom and his ability to make choices determinants of his life after death is also raised what in the work of Skovoroda is associated with the issue of sleep.
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