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2 Studia Romanica Posnaniensia

2 Pawlicki J.

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L’espace concentrationnaire et la figure du « musulman » dans Les Boucs de Driss Chraïbi

100%

Pawlicki J.

nr 1

97-106

The article examines the question of the concentration camp space and the figure of the “Muslim” in the novel Les Boucs (1955) by the Moroccan writer Driss Chraïbi. Published ten years after the war, the novel nevertheless uses certain motifs from the literature of the camps. Even if the geography of “Arab Paris” in North African literature has been well described and analyzed, the kinship of the Goats with concentration camp literature has not received sufficient attention. Therefore, in my study I will first recall the circumstances of publication of the novel and the main lines of its reception by critics to then move on to the analysis of the concentrationary space in the novel. The link with the space of the camps will finally be reinforced by the evocation of the figure of the “Muslim”, well known from the testimonies and expressly exploited by Driss Chraïbi.

Les tribulations parisiennes de l’officier écrivain : l’oeuvre autobiographique de Yasmina Khadra et son accueil en France

100%

Pawlicki J.

nr 1

99-106

This article describes Yasmina Khadra’s autobiographical work composed of two books: "L’écrivain" and "L’imposture des mots" and its reception in France. The main purpose of this study was to establish the literary genre of these books, which implies determining whether Khandra’s work represents an autobiography or an autofiction with reference to P. Lejeune’s and V. Colonna’s theoretical studies. The dividing line between two genres in Khandra’s works refl ects his inner split between being either a solder or a writer. The presentation will also help to understand the controversy resulting from Khandra’s participation in Algerian civil war. Moreover the analysis is related to modern Algerian history.

This article describes Yasmina Khadra’s autobiographical work composed of two books: "L’écrivain" and "L’imposture des mots" and its reception in France. The main purpose of this study was to establish the literary genre of these books, which implies determining whether Khandra’s work represents an autobiography or an autofiction with reference to P. Lejeune’s and V. Colonna’s theoretical studies. The dividing line between two genres in Khandra’s works reflects his inner split between being either a solder or a writer. The presentation will also help to understand the controversy resulting from Khandra’s participation in Algerian civil war. Moreover the analysis is related to modern Algerian history.