Wyniki wyszukiwania - Biblioteka Nauki

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Skazani na imperium. Wizja rosyjskiej drogi dziejowej w Jeźdźcu miedzianym Aleksandra Puszkina

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Bortnowski A.

Poznańskie Studia Slawistyczne

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2023

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nr 25

31-46

EN

The article is an attempt to explore the vision of Russian history in Alexander Pushkin’s The Bronze Horseman. The key role in the poem is played by the figure of Peter I, who is shown as a despot on the one hand, and a bold visionary on the other. In The Bronze Horseman, Pushkin presents a suggestive image of the flood in St. Petersburg, referring to such problems as the clash between an ordinary man and history or the essence of rebellions and revolutions. Deciphering the meaning of individual motifs allows us to perceive Pushkin’s coherent and multidimensional historiosophical vision. The main conclusion of the article is the statement that Russian imperialism in The Bronze Horseman is shown as an organic element of Russianness, without which Russia could not have formed as a strong and modern state. Moreover, the poem can invariably be seen as a key to understanding the essence and vitality of Russian imperialism.

2

Постреволюционная действительность глазами „маленького человека”. Мемуарная проза Вениамина Корсака

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Bortnowski A.

Studia Rossica Posnaniensia

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2019

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tom 44

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nr 1

179-188

RU

Veniamin Korsak is a writer who represents the Russian literature of the first wave of emigration and is known primarily through a series of five autobiographical no- vels presenting the story of a simple man who went into German captivity during World War I and then returned to Russia, which was overwhelmed by civil war. Korsak’s works are a testimony of a “little man”, looking at reality through the prism of ordinary everyday affairs, instinctively trying to survive in the historical turmoil. This article is an attempt to show the specificity of this perspective on the basis of his novels.

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OBRAZ UKRAINY DRUGIEJ POŁOWY XIX WIEKU W TWÓRCZOŚCI WŁADIMIRA KOROLENKI

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Bortnowski A.

Studia Ukrainica Posnaniensia

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2017

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tom 5

223-229

EN

The life of Vladimir Korolenko and his works were closely connected with Ukraine. The writer, who was born in Zhytomyr and died in Poltava, is primarily known as one of the greatest Russian authors of the second half of the nineteenth and early twentieth century, and his connections with the homeland are often ignored. V. Korolenko’s works such as The History of My Contemporary, The Mendel Brothers or Without Language illustrate his strong connections with Ukraine and a deep understanding of its specificity.

UK

Життя і творчість Володимира Короленка були тісно пов’язані з Україною. Письменник, який народився в Житомирі і помер у Полтаві, відомий передусім як один з найвидатніших представників російської літератури др. пол. ХІХ – поч. ХХ ст., а його зв’язки з рідним краєм часто відсуваються на задній план. Такі твори В. Короленка, як История моего современника, Братья Мендель чи Без языка відображають його тісні зв’язки з Україною та глибоке розуміння її своєрідності.

4

Украина начала XX века глазами Константина Паустов- ского

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Bortnowski A.

Studia Rossica Posnaniensia

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2016

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nr 41

5-14

EN

The beginning of 20th century was a very complicated period in the history of the Ukrainian territories. Konstantin Paustovsky spent his youth in the southern part of the Russian Empire and could observe all the historical processes happening to his country. In his autobiography Story of a life Paustovsky presents a very interesting view of Ukraine at the beginning of the 20th century and during the Russian Civil War. The author of this article analyzes Paustovsky’s perception of Ukraine and tries to give an answer to the question of how a descendant of Zaporozhian Cossacks and Polish intellectuals could become a Russian patriot.

5

Поколение заката СССР в романе Алексея Никитина Victory Park

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Bortnowski A.

Rusycystyczne Studia Literaturoznawcze

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2020

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tom 30

65-80

PL

Tematem niniejszego artykułu jest obraz rzeczywistości radzieckiej w powieści Aleksieja nikitina Victory Park. Utwór tego rosyjskojęzycznego pisarza ukraińskiego prezentuje szeroką panoramę życia mieszkańców lewobrzeżnego kijowa pierwszej połowy lat 80. XX wieku. Pokolenie późnego okresu zastoju funkcjonuje w świecie skompromitowanych idei, wszechobecnych absurdu i obłudy. Celem artykułu jest próba odpowiedzi na pytanie o źródła powszechnej apatii i beznadziei w powieści nikitina, które w dużej mierze kształtują także młode pokolenie, próbujące odnaleźć swoją drogę w pogrążonej w marazmie rzeczywistości. kluczem do zrozumienia postaw życiowych bohaterów jest analiza specyfiki kijowskiej rzeczywistości, będącej dominantą świata przedstawionego powieści Victory Park.

EN

The subject of this article is the presentation of Soviet reality in Alexei nikitin’s novel, Victory Park. The Russian-speaking Ukrainian writer presents in this work a wide panorama of the life of the inhabitants of left-bank kiev in the first half of the 1980s. The generation of the late Stagnation Period lives in a world of discre- dited ideas, omnipresent absurdity, and hypocrisy. The aim of the article is to try to locate the sources of widespread apathy and hopelessness in nikitin’s novels, which, to a large extent, shape the young generation trying to find their way in a stagnant reality. The key to understanding the life attitudes of the protagonists is the analysis of the specificity of kiev reality, which is the dominant feature of the world presented in the Victory Park.

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Еврейское измерение Киева в „Кровавой шутке” Шолом-Алейхема

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Bortnowski A.

Kultury Wschodniosłowiańskie - Oblicza i Dialog

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2017

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nr 7

23-34

PL

Sholem Aleichem is one of the authors of modern Jewish literature in Yiddish, and most of his works are closely related to the realities of Eastern Europe. In his books the writer presents, among others, images of life of the Jewish community in pre- revolutionary Kiev. His novel, The Bloody Hoax, is particularly noteworthy in this case and it has become the main object of research in this paper. The story of the novel mostly takes place in an unnamed city, the prototype of which has become a historical Kiev. The Bloody Hoax, the plot of which is largely based on real events, shows the specificity of life of the Jewish community in the big city, and the problems its representative shave to face.

7

Публицистика Владимира Короленко

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Bortnowski A.

Kultury Wschodniosłowiańskie - Oblicza i Dialog

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2016

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nr 6

39-49

EN

Journalism takes a very important place in the works of Vladimir Korolenko. The writer witnessed historic changes in Russia of the late 19th - early 20th century and in his many works included a great number of valuable comments and insightful analysis of the processes taking place on the territory of the decaying Russian Empire. The last years of the writer's life coincided with a period of formation of the Soviet authority, which Korolenko did not accept. This fact was often overlooked or ignored in the Soviet critical works on the writer and only after the collapse of the USSR it was possible to conduct an overall analysis of Korolenko’s rich heritage. Many of his articles containing insights into the Russian reality can be applied to modern times.

RU

Journalism takes a very important place in the works of Vladimir Korolenko. The writer witnessed historic changes in Russia of the late 19th - early 20th century and in his many works included a great number of valuable comments and insightful analysis of the processes taking place on the territory of the decaying Russian Empire. The last years of the writer's life coincided with a period of formation of the Soviet authority, which Korolenko did not accept. This fact was often overlooked or ignored in the Soviet critical works on the writer and only after the collapse of the USSR it was possible to conduct an overall analysis of Korolenko’s rich heritage. Many of his articles containing insights into the Russian reality can be applied to modern times.

8

Мотив одиночества в раннем творчестве Ирен Немировски

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Bortnowski A.

Kultury Wschodniosłowiańskie - Oblicza i Dialog

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2019

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nr 9

23-36

EN

The subject of analysis in this paper is the motif of loneliness in the early works of Irène Némirovsky (1903–1942). A pessimistic view on human life, which is typical for Némirovsky, is shown by the author of this article on the example of three works: L’Enfant génial, David Golder and Les Mouches d’automne. The main character of each of the works constantly feels misunderstood, alienated and eventually dies, convinced of the meaninglessness of his/her existence. These feelings become common for the characters, which at first glance seem completely different - a Jewish boy from the poor quarter of Odessa, a rich financier living in Paris, and an elderly Russian nanny, who emigrates with her masters. The problem of loneliness in Némirovsky’s writing is closely related to the issues of finding one’s own identity and attempts to overcome the past.

9

PERCEPCJA KIJOWA W TWÓRCZOŚCI ALEKSANDRA KUPRINA

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Bortnowski A.

Studia Ukrainica Posnaniensia

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2018

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tom 6

189-196

EN

Alexander Kuprin was a Russian writer who came to Kiev early in his life. Those seven years (1892–1899) that he spent in the city had a huge impact on all his work. The images of Kiev appeared not only in his collection of sketches The Kiev Types (1896), but also in the later works of the writer, including the emigration period. Alexander Kuprin was a true realist, who, with great precision, tried to recapture the specifi cs of the reality around him. As a result, the pages of his writings refl ect all the diversity of the Kiev life of the late nineteenth and early twentieth century.

UK

Олександр Купрін був російським письменником, який на ранньому етапі свого життя потрапив до Києва. Сім років (1892–1899), які він провів у цьому місті, мали потужний вплив на всю його творчість. Образи Києва з'являються не тільки у збірці Київські типи (1896), але також у пізніших творах письменника, зокрема еміграційних. Олександр Купрін був справжнім реалістом, який з великою точністю намагався відобразити специфіку довкілля, завдяки чому на сторінках його творів репрезентована вся різноманітність київського життя к. ХІХ – поч. ХХ століття.

10

Мировоззрение Василия Шульгина в контексте событий 1917–1919 гг. в Киеве

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Bortnowski A.

Kultury Wschodniosłowiańskie - Oblicza i Dialog

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2018

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nr 8

9-21

EN

Vasily Shulgin (1878-1976) was a Russian political activist of the beginning of the 20th century. He is also known as an active publicist and the author of several memoir books. Born in Kiev and considering himself a "little-Russian", Shulgin acted as a supporter of the unity of Ukraine and Russia and considered his native city as the cradle of "Russianness" as well as an integral part of the whole-Russian cultural circle. Shulgin's worldview, reflected in his memoirs devoted to the years 1917-1919, became the subject of this article.

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Ироническое начало в фельетоне Киев-город Михаила Булгакова

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Bortnowski A.

Studia Rossica Posnaniensia

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2021

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tom 46

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nr 2

125-134

EN

The subject of the article is the analysis of the image of Kiev, presented in Mikhail Bulgakov’s feuilleton Kiev, the City. This work has rarely been the subject of in-depth analysis, despite the fact that it is one of the few texts in which the writer presents the image of his hometown. A characteristic element of the description of Kiev’s past and present is the irony. It is noticeable in the title of the feuilleton, as well as in the names of its parts. The ironic image of Soviet Kiev stands in stark contrast to the vision of the city captured in the novel The White Guard. The analysis of the techniques used by the writer in the text of Kiev, the City (e.g. the naive narrator’s mask, a combination of pompous style and colloquial speech) is carried out in order to prove that the feuilleton, in its style and ideas expressed, also shows the author’s rejection of post-revolutionary reality and his attempt to overcome the trauma of the past through laughter. The ironic image of the Soviet reality on the background of eternal spiritual values makes Kiev, the City a harbinger of the problems covered inMikhail Bulgakov’s later works.