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Content available Nacjonalizm zwyczajnych ludzi. Etnicy­zowanie tradycji muzycznej na przykładzie festiwalu w Gučy
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Kuligowski W.
Slavia Meridionalis
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2011
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tom 11
EN
Normal people’s nationalism. Ethnicization of music tradition for instance some festival in GučaSince the 1980’s ethnology and social and cultural anthropology have witnessed an increasing number of studies and debates on nationalism in the light of popular culture. In the light of theory formulated by Hobsbawm, Gellner, Hayes and Comaroff nationalism is effect not big symbols and official politics, but rather popular entertainment, media and normal practices normal people in its normal life. Traditional primordial concepts of nationalism are deep regressive.In this paper, I discuss a few contradictions in the relationship between tradition, nationalism and music. An excellent example illustrating specific nature of these contradictions is Dragačevski sabor trubača (Guča Trumpet Festival) in Guča, Serbia and particular music genre – brass music. In my opinion there are three distinctive discourses/narrations about history and meaning this festival and specific kind of music: dominating Serbian discourse, ‘weak’ Gypsy discourse, and researcher’s discourse. This study is effect an ethnographic fieldwork conducted in 2010 by an author and large group of students from Institute of Ethnology and Cultural Anthropology Adam Mickiewicz University Poznań, Poland.
2
Content available R. Chmel, Kompleks słowacki. Przeł. M. Bystzrak, T. Grabiński. Międzynarodowe Centrum Kultury. Kraków 2013, ss. 344.
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Kuligowski W.
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tom 15
363-365
PL
Rudolf Chmel, Kompleks słowacki. Przeł. M. Bystrzak, T. Grabiński. Międzynarodowe Centrum Kultury. Kraków 2013, ss. 344.
3
Content available Nowa geografia muzyczna: centrum – opór – peryferia
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Kuligowski W.
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tom 96
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nr 3
46-57
EN
Last decades redefined traditional artistic geography. Center (West) – periphery (East and South) system, rooted in Ratzel’s Kunstgeographie, was replaced by new ideas known as “new artistic geography” or “geohistory of art”. An article is based on these new perspectives and it focuses on trajectories of punk rock music in 80’s. in former Yugoslavia and Poland as well. Author tried to transgress old cliché: on the one hand image of cultural hegemonic center (USA, UK) and on the other hand cultural non-hegemonic peripheries. An article describes the very beginning punk in ex-Yugoslavian town Rijeka (bands like Paraf, Termiti), Lublana (Pankrti), Zagreb (Prljavo kazalište). In next section an author presents an examples of cooperation realized by Polish visual artists and Polish punks (Brygada Kryzys, Kryzys, Moskwa). In effect, they created artistic films, paintings, installations and performances. Concluding, at the turn of the 1970’s Yugoslavian and Polish punk scenes were among the most active and most original in Europe east of the Elbe. Yugoslav punks have been very courageously politically involved and even morally related to the situation of homosexuals – becoming the vanguard of resistance to Tito’s power and his heirs. In the Polish case, punk alliances with emerging art, including experimental species such as found footage, are striking. Facing so many original and otherwise “framed” concepts, there is no reason for the punk story to continue to be reduced to repetitive, British and American clichés.
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Studium tatuażu na prawie magdeburskim. Antropologia współczesności wobec historii
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Kuligowski W.
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nr 1(2)
41-49
EN
Commenting on “anthropological history”; carries a high level of risk, as this orientation have already been discussed by numerous experts in both fields. Does it promise anything of significance to an anthropologist? With the help of ideas born within anthropology of contemporaneous world, I would like to verify whether there are places common to the history and to the achievements of cultural/social anthropology. Among the places common for Polish historians and Polish anthropologists are study of myth, nostalgia, memory, postsocialism and performances. On the other hand, I observe specific overrepresentation historical perspectives on many levels anthropological activity: in the field, in process of interpretation, and also in B.A., M. A., and PHD theses. From my point of view it is a expression of former structure in Polish academy and former relations between history and anthropology (central-peripheral, big-small, power-subordination etc.).
5
Content available Touch, Listen, Experience
63%
Burszta W. J. , Kuligowski W.
Interdisciplinary Studies in Musicology
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2007
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nr 6
175-185
PL
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