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FUNCTION OF THE CONCEPTS FIGURATIVE AND FIGURAL IN MACHINE OF ARCHITECTURE PETER EISENMAN

100%

Zervan M. , Mitášová M.

ARS

2023

tom 56

nr 1

3 - 12

In our lecture, we focus on the terms figurative and figural as defined by Francois Lyotard and Gilles Deleuze in his book on Francis Bacon. We examine these terms’ roles in Peter Eisenman’s architectural thinking and design. Eisenman became interested in the reflection of Deleuze’s philosophy after he collaborated with Jacques Derrida. There are various aspects of Deleuze’s influence on Eisenman to be explored. The first utilizes Deleuze’s term fold. The second considers Eisenman’s version of a diagram elaborated in dialogue with Deleuze’s term diagram. Moreover, finally, the third points towards Deleuze’s terms mentioned above, figurative and figural and their role in Eisenman’s construction of the term and project of the interstitial space. Our lecture traces Eisenman’s understanding of figurative and figural and asks how interstitiality has become an argument in the problematization of both heterogeneous and affirmative aspects of architecture in critical architectural thinking.

POZNÁMKY K IKONOGRAFII A IKONOLÓGII SCÉNY ROZDÁVANIA MILODAROV SV. JÁNOM ALMUŽNÍKOM

100%

Zervan M. , Zervan V.

nr 2

185 - 208

The study is a contribution to the iconography of St. John the Almsgiver. The paper focuses on the copper engravings and the painting of Joseph Kurtz from the 18th century in Slovak collections, which depict St. John the Almsgiver distributing the alms. While writing the study, we gradually discovered that to explain the etchings and the painting, we need to examine the origins of this iconographic theme. It was confirmed that the form of the representative portrait of St. John Almsgiver originated in Byzantium. However, it is also indisputable that the transfers and robberies of the saint‘s remains before and after 1204 contributed significantly to the cult of the saint in several places in the Latin West. An important factor in consolidating the cult was the saint‘s inclusion in the Golden Legend hagiographic collection. This collection‘s illustrated manuscripts and first prints undoubtedly influenced the composition of the iconographic scene of the distribution of alms by St. John the Almsgiver. The Hungarian king Matthias Corvinus, who received the entire body of St. John Almsgiver most probably based on the peace treaty, and his court had contributed to the extraordinary promotion of the cult of the saint. Thanks to the painted decoration of the chapel in Buda, where the remains of the saint were kept, visual representations inspired by the Golden Legend collection spread not only in the territory of today‘s Slovakia but also in several places in today‘s Poland. Only the paintings of the 16th and 17th centuries prioritized the iconographic scene of giving alms to such an extent that most of their elements were adopted by Gustav Adolf Müller. In the representative crypto portrait of Joseph Kurtz, the beggars are strikingly similar, as if they were a multiplication of the exact figure. A hypothesis could be made that the painting was a mixture between a representative portrait and a narrative image.

K POJMOM HOMO ARCHITECTUS A DEUS ARCHITECTUS. O možnosti názvu jednej miniatúry z Bible Moralisée

100%

Zervan M. , Zervan V.

Filozofia (Philosophy)

2010

tom 65

nr 8

770-779

The paper is a partial result of an iconographic research of the iconographies of an artist and an architect, motivated by the miniature The God Creator in the Bible Moralisee manuscript. In ancient and biblical sources the authors examined the legibility of these terms in order to give evidence that deus architectus and sapiens architectus have been invented and used before the manuscript was compiled. The textual researches show, that in the term deus architectus the meanings of the words architect and architecture, indicating the whole of building practice, intertwined probably with the meanings related to the God Creator. The practice of an architect could therefore represent the act of Creation, and vice versa, the act of Creation could uplift the practice of architecture.