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Dramatyczne konstruowanie twarzy w wybranych utworach Tadeusza Różewicza

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Woźniak E.

nr 21

145-165

The purpose of this article is to present Tadeusz Różewicz as a poetic portraitist. Faces very often appear in the poet’s works and they play a special role there. The methods that are used to construct them can be grouped into four main categories: 1) a face as a performing subject, 2) a face as an object, 3) a face as a static construct, and finally 4) a face as an element, or metonymy, of human existence and entanglement with reality. In Różewicz’s poetry the human face is material and a mirror, but also a universal symbol of the human condition. These faces are usually distorted, decaying, and blurred. They symbolize the disintegration of the world in which human beings have to live. For Różewicz a face is the most condensed image of humanity and an equivalent of a substance in which every external stimulus leaves its mark. The way of using faces as a material and the process of disintegration that is described in detail constitute a dramatic and performative action which implements the objectives of fluid aesthetics, thus showing the moments of transition from meaning to nothingness and the process of erasing meaning.

„Cinemagraphs” Jamie Beck w kontekście dramatycznej teorii literatury

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Woźniak E.

nr 17

89-103

The purpose of this article is to present works of a New York photographer Jamie Beck, who developed a new type of moving photography – cinemagraphs, and look at her work from the perspective of the dramatic theory of literature. Jamie Beck in her works redefines many notions related to the visual realm. Movement and time relationship, the model identity and the impact of material on the image perception are the most interesting problems, that are connected with cinemagraphs. All these issues are analyzed in relation to fields dealing with image: André Rouille’s and Roland Barthes’ photographic theories, art history represented by Georges Didi- Huberman and Rudolf Arnheim’s “the psychology of creative eye”.