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Telewizyjni Wikingowie – legenda na szklanym ekranie

100%

Kaczor K.

Panoptikum

2017

nr 17(24)

111-125

The article is an analysis of the mechanisms and the scope of reinterpretation of ideas of “Viking” made by the creators of the television series Vikings, in the context of alleged historical film, a genre popular cinema, the issue of transformation of the content of the source materials.

Wpływ mistyki hiszpańskiej na duchowość karmelitanki Anny od Jezusa (Stobieńskiej)

100%

Kaczor K.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

2001

tom 04

The article deals with the 17,h century autobiographic nun's characteristic vision of man as a being the relations between man and God. The 17th century was a time of rapid change all over Europe. In the 17й1 century arrived in Poland from Netherlands the first caramel’s nuns. There were: Anna оГ the Jesus (Jadwiga Stobieńska) - the first Polish caramel’s nun, then Teresa of the Jesus (Marianna Marchocka) etc. The autobiography of Jadwiga Stobieňska’s expresses the relations between man and God, and mystical inspirations (particularly St. Teresa of Avila and St. John of the Cross). The article presents the religious direct experiences of Jadwiga Stobieńska. There are many images, motifs taken from the great tradition of religious literature. The article shows influence mysticism of St. Teresa oľ Avila for the Jadwiga Stobieriska’s spiritual life. This article the particularly presents the personal experiences of Polish nun (dialogue with God, the love to Him and mystical unity with God). Jadwiga Stobieńska gave original the reason of relations a man with Absolute, and shoed metaphysical and mystical the way of soul to God.

Wyrazić Niewyrażalne - karmelitańskie pieśni o miłości Bożej

100%

Kaczor K.

Acta Universitatis Lodziensis. Folia Litteraria Polonica

2005

tom 07

nr 1

Carmelitan poetry from XVII and XV1I1 centuries, undertook the subject of the love of the God, presents the influences of Spanish mysticism as well the erotic symbolism of The Sonn Above Song. The love, presented by anonymous authors, was compared to the fire of which the flame makes in the object of the love the qualm and faint, the gladness and suffering at once. Carmelitan authors used the metaphors of heart pierced by arrow - of the motif functioned already in antique, next taken over by church fathers (Orygenes, St. Augustin), and then by the great Christian mystics (St. Teresa of Avila and St. John of the Cross). Polish nuns also described ecstasy’s experiences, characteristics by “suspension of the senses,” and by combination of delight and pain simultaneously. They also appealed to the Ecstasy of St. Teresa which illustrated her wound of the love. This style must incarnate spirit. Therefore, carmelitan authors utilized the metaphors of love and sensual stylistic figures. The oxymoron, paradox and hyperbole are figures necessary to the articulation of the love between God and soul, because over simple words it is difficult to express. The sensual stylistic figures were of used to transposition the mysteries of God’s love and reflected relations between human beings and God, presented by - consolidated in receiving conscience the formulas of the language of love. The love is a unity of two complementary parts. This greatest idea wanted to present the language of love and the semantics of passion in poetry of Polish Carmclitans.