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Hamdi el Attar and Kassel’s Stoffwechsel Shows of the Eighties: Notes on the Off-mainstream Presence of Polish Artists

100%

Siatka K.

Sztuka i Dokumentacja

2022

nr 27

147-157

Historia, archeologia i paleobotanika. O demaskowaniu dziejów w badawczo- artystycznej praktyce Sławy Harasymowicz, Thierry’iego Oussou oraz Michaela Wanga

100%

Siatka K.

Folia Praehistorica Posnaniensia

2019

tom 24

249-261

The practice of contemporary artists is sometimes similar to the methodology of the researcher of the past. The creators engaged in the discovery of history, generate images of memory using historically or biologically similar methods, among which archival research, archaeological excavations and botanical experiments are a full-fledged artistic method. The reason for the work of Sława Harasymowicz is the nearby history, in which the members of her family and herself participated. Thierry Oussou has recently become famous for the excavation mystic that triggered the diplomatic incident. In his artistic work, Michael Wang raises global themes: climate change and economics. Their projects level the artistic and research work with the process. They reject the dictates of the objectivity, and linearity of the story. The method chosen by them, the questions posed and comments made by commentators are included in the discourse of contemporary humanities, in which the human subject has been included in the system of dependencies between animals, plants, and machines.

"The game becomes physically real. 12/6". Ze Sławą Harasymowicz rozmawiają Gabriela Brdej i Krzysztof Siatka

63%

Brdej G. , Siatka K.

Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura

2019

nr 4

153-161

Wywiad ze Sławą Harasymowicz.