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Flaner ekologiczny Filipa Springera jako odpowiedź literatury non-fiction na katastrofę klimatyczną

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Kamiński S.

Zagadnienia Rodzajów Literackich

2023

tom 66

nr 2

131-143

The greatest popularity of the phenomenon of flânerie appears in the periodof modernism, when it was often used by poets and writers to describe the expression and dynamics of an individual. Flaneur, the carefree hero aimlessly strolling around the city, described everyday life, filtering it through his own perception. However, can the flaneur figure still be used today, and have any innovative potential? Reporter Filip Springer seems to be one of the authors whose texts play with the modernist dimension of the flaneur. As a result of shifting the Focus from the aesthetic to the ethical, a new strategy of action is revealed, which I call the ecological flaneur, an environmental walk during which one experiences a reality changed by human activity and as a result of climate change caused by it. Based on the series Zmiana klimatu już tu jest and Wyprawa po nadzieję, as well as a collection of reports Wanna z kolumnadą. Reportaże o polskiej przestrzeni, I will trace the changes made by the reporter in the modernist dimension of the flaneur.

„Próba generalna” współ-odczuwania z nie-ludźmi w opowiadaniu Olgi Tokarczuk

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Kamiński S.

Jednak Książki. Gdańskie Czasopismo Humanistyczne

2022

nr 15

82-94

The work reflects Olga Tokarczuk’s short story Dress Rehearsal which deals with the topic of apocalypse, climatic catastrophe, and climate change. The article is a part of a scientific work, which is a master’s thesis dealing with the complex issue of the subjectivity of animals and nature, as well as the common environment and post-environment, and the study of the relationship between humans and non-humans. In the work, the Nobel Prize winner comes under the influence of a ‘world-creator’ and an ‘intense observer’, thus human relations can be complicated in times of the end of the world and how human attitudes towards animals and the world change. This time of the end, marked by Giorgio Agamben with the messianic era, allows for a certain non-action towards reality, and empathy and compassion begin being a remedy for centuries of objectification of other beings.