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Rodin, czyli świat. Dwie kosmogonie – Rainera Marii Rilkego i Georga Simmla

100%

Popiel M.

nr 29

15-29

The article is a comparative analysis of the modernist aesthetics of creation. It describes how Rilke and Georg Simmel discovered August Rodin’s rules of modern perception, sensitivity and creative imagination. In the work of both writers we see them striving to interpret works of art as a creative process that is the effect of their astute diagnosis of contemporary culture. A new approach to aisthesis restores value to aesthetic experience and opens up broader learning opportunities.

Miejsce Wyspiańskiego w estetyce polskiego modernizmu

100%

Popiel M.

Przestrzenie Teorii

2008

nr 9

9-17

The aim of this article is to try to establish the place of Stanisław Wyspiański in the landscape of early Polish modernism. The methodological foundation is the anthropological aesthetics of literature. Analysis of the literary and plastic work as well as of the artist's remarks and observations dispersed in his letters and essays is the material for the construction of Wyspiański's conception of art. The starting point is the artist's existential experience, which assumes the form of atopy, experiencing of strangeness of that which is close. This experience becomes the subject of a literary transposition which is visible in many dramas: Wesele, Sędziowie, Wyzwolenie, Noc Listopadowa.Its analogon is a dual aesthetic attitude which the artist assumes: an attitude of participation and an attitude of separation funding art which is based on panaestheticism or breaking of communication. In historical perspective the principle of artistic totality ("a play with fulness") and a tendency to degradation ("a play with emptiness") may be interpreted as a case of suspension between aesthetics of the 19th century and of the 20th century. Looking from the Polish angle, I propose to place Wyspiański in close vicinity of Stanisław Witkiewicz and Stanisław Ignacy Witkiewicz together with whom he would be creating a significant line of evolution of Polish modernity.

Maria Renata Mayenowa o „Weselu” Wyspianskiego

100%

Popiel M.

tom 104

nr 1

199–205

The article is devoted to a presentation of so far unknown to a wider public of Polish scholars doctoral dissertation „Wesele” Stanislawa Wyspianskiego. Problemy kompozycji (Stanislaw Wyspianski’s „The Wedding.” Problems of Composition) by Maria Renata Mayenowa. The dissertation, typewritten to date, was composed under supervision of Manfred Kridl in 1932 at Stephen Batory Vilnius University. The author of the article sets the dissertation against the then dominating methodological tendencies, and points out both original and derivative features of Mayenowa’s interpretation.

ROZMOWA „WIELOGŁOSU”

45%

Popiel M. , Potocka M. , Prussak M. , Walas T. , Walaszek J.

nr 3

MODERNIZOWANIE WYSPIAŃSKIEGORozmawiają prof. dr hab. Ewa Miodońska, prof. dr hab. Magdalena Popiel, Maria Potocka, prof. dr hab. Maria Prussak, prof. dr hab. Teresa Walas, dr hab. Joanna Walaszek