Wyniki wyszukiwania - Biblioteka Nauki

Ten serwis zostanie wyłączony 2025-02-11.

Nowa wersja platformy, zawierająca wyłącznie zasoby pełnotekstowe, jest już dostępna.
Przejdź na https://bibliotekanauki.pl

Ograniczanie wyników

2 Prace Kulturoznawcze

2 Zontek R.

Znaleziono wyników: 2

Liczba wyników na stronie

Wyniki wyszukiwania

Sortuj według:

Ogranicz wyniki do:

Giambattista Vico a radykalna myśl społeczna pierwszej połowy XX wieku — przyczynek do zagadnienia

100%

Zontek R.

Prace Kulturoznawcze

2014

tom 16

85 - 100

The aim of this paper is to analyze the impact of Giambattista Vico’s New Science on the works of selected left-wing radical thinkers of the first half of the 20th century. The author reconstructs how Vico’s primarily epistemological notion of a human-made history underwenta transformation into an ethical principle in the writings of Kazimierz Kelles-Krauz, Georges Sorel, Stanisław Brzozowski and Edward Abramowski. The main premise of the paper is that the aforementioned thinkers — all of whom were influenced, although differently, by the philosophy of Karl Marx — tried to apply Vico’s thought to a specific practical philosophy.

Od trawelogu do King Konga. Misja badawcza jako motyw kina lat dwudziestych i trzydziestych w świetle imaginarium społecznego epoki

100%

Zontek R.

Prace Kulturoznawcze

2019

tom 23

nr 2-3

75-104

Science expeditions are a staple of cinematic fiction. The theme has been utilized in dozens of permutations in different media and film genres ranging from adventure flicks to family comedies and horrors. Indiana Jones, undoubtedly the best-known “field researcher” in the world, is one of popular culture’s most recognizable figures. In this article, however, I am interested in an era predating his cinematic debut by at least a half century. Its main focus is the 1920s/1930s threshold in which science expeditions began constituting themselves as a motif of cinema and the reasons why such a seemingly august, scholarly enterprise transformed into a popcultural phenomenon. My analysis will focus on two often overlooked but massively popular genres of the era: expeditionary films and exotic exploitation films, both of which, I argue, can be traced back to the ethnographic travelogue. I begin my inquiries — and end them — with Merian C. Cooper’s and Ernest B. Schoedsack’s King Kong (1993), which provides me with a framework for describing the ever-fickle relationship between documentary, fiction, truth and fabrication, which defined the cinematic representations of science expeditions from the very beginning.