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Topp I.

Prace Kulturoznawcze

2013

tom 15

13 - 17

Visions of the futures are a topic relatively infrequently analysed in contemporary reflections on culture. The reason behind this state of affairs lies not only in the de-transcendentalisation of the image of the world, rejection of the positivist models of development and the failure of 20th century political utopias, but also in the changes in how culture is understood. Culture as a process, dynamic, liquid and open, contains the future as a dimension of human experience, and not as an external framework of temporal succession. Art is an example of such changes. Prophetic hopes associated with it lost their justification, when artists ceased to be regarded as brilliant visionaries, and the boundary between the author and the audience was blurred. Visions of the future were replaced by engaged artistic practice. A similar tendency can be found as we look for a place occupied today by the future among the values that determine our lifestyles.

Wizualne konstruowanie przestrzeni lokalnych jako uczestnictwo w kulturze

63%

Awanesow S. , Topp I.

tom 20

133-141

The article presents a conceptual basis of the research project: “Visual organization of the space of the town: continuity, interpretation, historic and cultural dimensions”. S. Avanesov, who is the author of this project, starts from rethinking the metaphysic idea of human existence. It is needed for taking into account 1. existential status of the visual and 2. the task of the project: describing forms of visual activity and organization of the space of the city. Variability of such space is showed using the example of a Siberian town Tomsk and provides a typological proposal. The authors stress that visual activity in creating and transforming space can be treated as inhabitants’ participation in culture. Photographing city is a good case to demonstrate how the way of perception and visual construction of urban landscape meet and interfere.