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2 Slovenské divadlo (Slovak Theatre)

2 Ballay M.

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EXPRESSIONAL BIPOLARITY OF THE THEATRE (SELECTED CASE STUDIES IN CONTEMPORARY THEATRE)

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Ballay M.

Slovenské divadlo (Slovak Theatre)

2018

tom 66

nr 3

231 – 241

The author contemplates expressional bipolarity of contemporary art of the theatre. He is interested personally in whether theatre has yet a chance to purify spectators. He explores theatre in terms of reception, and also focuses on methods of addressing the themes of the day. Using case studies of selected productions in contemporary theatre, he reflects on the intentions of a number of theatre directors whose particular intention is for the theatre to provoke or manipulate spectators.

INTERPRETATIVE PROBE INTO CONTEMPORARY SLOVAK INDEPENDENT THEATRE. THEATRE PÔTOŇ: PASTORAL SYMPHONY

100%

Ballay M.

Slovenské divadlo (Slovak Theatre)

2019

tom 67

nr 3

258 - 271

The text explores the work of the independent Theatre Pôtoň – the only professional theatre in Slovakia to reside in the countryside. Using an interpretative approach within the process of communication, the study presents the work of the stage director Iveta Ditte Jurčová who works in tandem with the dramaturge and script writer Michal Ditte. The authors put the elements of multiple genres and intertextuality in their productions, whilst also employing alternative methods to work with words and/or verbal component. The material presents dominant, constant features of their poetics through their latest production Pastierska symfónia [Pastoral Symphony] (2019).