Recently, museological scholarly literature has seen a lot of critiques of current museum practice and even attempts at a coherent theory of critical museology or critical heritage studies. While these approaches undoubtedly make a positive contribution to the debate on the current state of museology, they nevertheless display a number of shortcomings which must be evaluated from methodological and philosophical standpoints.
The paper is focused on the theoretical museology. It deals with the theory of communication, theory of presentation, description of different contexts of museum exhibits, the use of different exhibition languages and the use of modern technologies. The author attempts to define the basic principles of the museum exhibition formation.
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